The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 80
... once imaginative and empirical , at once an evocation and a direct perception , real without being merely actual , ideal without being merely abstract , the ideal real , the essential , the extratemporal " ( 1931 , 55— 56 ) . Of course ...
... once imaginative and empirical , at once an evocation and a direct perception , real without being merely actual , ideal without being merely abstract , the ideal real , the essential , the extratemporal " ( 1931 , 55— 56 ) . Of course ...
Strona 97
... once the sunlight every- where , I saw at once that it was springtime , and I felt my heart would break with joy . I wanted desperately to go home again . CHEBUTYKIN : The hell you say ! TUZENBAKH : Of course , it's all nonsense ...
... once the sunlight every- where , I saw at once that it was springtime , and I felt my heart would break with joy . I wanted desperately to go home again . CHEBUTYKIN : The hell you say ! TUZENBAKH : Of course , it's all nonsense ...
Strona 193
... Once we are rid of the notion that tragic vision depends on the tragic form as its host - that is , once we cease associating the tragic with what amounts to a historically derived model ( the mythic “ median " hero , hubris , hamartia ...
... Once we are rid of the notion that tragic vision depends on the tragic form as its host - that is , once we cease associating the tragic with what amounts to a historically derived model ( the mythic “ median " hero , hubris , hamartia ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write