The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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... never solve them to everyone's satisfaction ; we simply illustrate different aspects of their elementarity . They endlessly beckon us , and theorists will probably be writing about them as long as poets write about daffodils and death ...
... never solve them to everyone's satisfaction ; we simply illustrate different aspects of their elementarity . They endlessly beckon us , and theorists will probably be writing about them as long as poets write about daffodils and death ...
Strona 76
... never in motion . We want to insist , quite justifiably , that the arrow is in motion at every instant from the beginning to the end of its flight , yet its motion is never present at any moment of presence . The presence of motion is ...
... never in motion . We want to insist , quite justifiably , that the arrow is in motion at every instant from the beginning to the end of its flight , yet its motion is never present at any moment of presence . The presence of motion is ...
Strona 87
... never tell whether that is all you meant or whether the term isn't simply the best one you could find to stand in for something of much greater conceptual density . All in all , we The Pleasure of the Play are never really not using 87.
... never tell whether that is all you meant or whether the term isn't simply the best one you could find to stand in for something of much greater conceptual density . All in all , we The Pleasure of the Play are never really not using 87.
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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