The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 90
... look at the eyes , " the windows to the soul , ” in which the punch line will register its effect , and you have the thrill of a vicarious second hearing . In " Oedipal ” terms , your first hearing of the joke parallels the news brought ...
... look at the eyes , " the windows to the soul , ” in which the punch line will register its effect , and you have the thrill of a vicarious second hearing . In " Oedipal ” terms , your first hearing of the joke parallels the news brought ...
Strona 209
... look for the real audience ( us ) and that the look will occur on cue in the same way every night of the run . So there it is , built into the play as part of the fiction , and we are therefore free to applaud the act of refusal it ...
... look for the real audience ( us ) and that the look will occur on cue in the same way every night of the run . So there it is , built into the play as part of the fiction , and we are therefore free to applaud the act of refusal it ...
Strona 210
... look at the matter , P is looking at us , and the logic of the play is that catastrophes are possible because there are people to see them , to report them to the world ( like the Teton cowboy ) , or to read about them in the papers ...
... look at the matter , P is looking at us , and the logic of the play is that catastrophes are possible because there are people to see them , to report them to the world ( like the Teton cowboy ) , or to read about them in the papers ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write