The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 14
... human- ized a fish , it is really my intention to see something fishy in theater— something natural , or naturally selected , that we do , as a species , for absolutely necessary purposes . Why should we leave biology out of ac- count ...
... human- ized a fish , it is really my intention to see something fishy in theater— something natural , or naturally selected , that we do , as a species , for absolutely necessary purposes . Why should we leave biology out of ac- count ...
Strona 43
... human experience . As I suggested in my Introduction , the aim of drama is to portray human experience in its aspect of change ; or , as Susanne Langer nicely puts it , drama is the art in which the " future . . . is made before our ...
... human experience . As I suggested in my Introduction , the aim of drama is to portray human experience in its aspect of change ; or , as Susanne Langer nicely puts it , drama is the art in which the " future . . . is made before our ...
Strona 187
... human value . Here George Steiner has it absolutely right : tragic catastrophe is irreparable , inexplicable , and has nothing whatsoever to do with justice or injustice , either human or divine ( 1968 , 8 ) . If there were a direct ...
... human value . Here George Steiner has it absolutely right : tragic catastrophe is irreparable , inexplicable , and has nothing whatsoever to do with justice or injustice , either human or divine ( 1968 , 8 ) . If there were a direct ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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