The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 76
... given instant , the arrow produces a paradox . At any given moment it is in a particular spot ; it is always in a particular spot and never in motion . We want to insist , quite justifiably , that the arrow is in motion at every instant ...
... given instant , the arrow produces a paradox . At any given moment it is in a particular spot ; it is always in a particular spot and never in motion . We want to insist , quite justifiably , that the arrow is in motion at every instant ...
Strona 156
... given individual's social and private life — including those of characters in plays - there does emerge a common denominator or likeness that allows us to sense a certain coherence in behavior . In life we may on occasion be shocked by ...
... given individual's social and private life — including those of characters in plays - there does emerge a common denominator or likeness that allows us to sense a certain coherence in behavior . In life we may on occasion be shocked by ...
Strona 204
... given over to movement , sequence , and dialogue . Beneath the two plays , then , there is a fundamental contradiction between medium and content , and in its own way the play offers another variation of systemic peripety , as discussed ...
... given over to movement , sequence , and dialogue . Beneath the two plays , then , there is a fundamental contradiction between medium and content , and in its own way the play offers another variation of systemic peripety , as discussed ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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