The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 74
... expectation ( “ the present of things future ” ) ( 1973 , 193 ) . It should be said that Augustine is describing our consciousness of time , not time itself in some abstract or measurable sense . The distinction , of course , is that ...
... expectation ( “ the present of things future ” ) ( 1973 , 193 ) . It should be said that Augustine is describing our consciousness of time , not time itself in some abstract or measurable sense . The distinction , of course , is that ...
Strona 80
... expectation and memory in the timeless moment of the now . Behind the famous unities of time , place , and action , in other words , is a single generic unity , a striving ( even in nontragic drama ) to make the The Unity in Time play a ...
... expectation and memory in the timeless moment of the now . Behind the famous unities of time , place , and action , in other words , is a single generic unity , a striving ( even in nontragic drama ) to make the The Unity in Time play a ...
Strona 90
... expectation as part of the so - called Butler- did - it syndrome — in short , the same psychology of oppositional or peri- petous thinking that operates in the murder mystery which invites us to seek the least likely suspect as the real ...
... expectation as part of the so - called Butler- did - it syndrome — in short , the same psychology of oppositional or peri- petous thinking that operates in the murder mystery which invites us to seek the least likely suspect as the real ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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