The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 17
... create the proper ambience for sexual seduc- tion . What is it about music that creates this ambience if not , to come back to Dufrenne , its " ability to seduce the body " ( in still another sense ) through its audible being ? 4 So one ...
... create the proper ambience for sexual seduc- tion . What is it about music that creates this ambience if not , to come back to Dufrenne , its " ability to seduce the body " ( in still another sense ) through its audible being ? 4 So one ...
Strona 32
... create the illusion of two armies clashing . As for stage space itself , I think of two examples of scene design ... created in a relatively cramped space highly realistic and " vasty " prisons , fierce island temples , and architectural ...
... create the illusion of two armies clashing . As for stage space itself , I think of two examples of scene design ... created in a relatively cramped space highly realistic and " vasty " prisons , fierce island temples , and architectural ...
Strona 132
... create each other : in a dialogue , speaker and listener merge and are dependent on each other for life and identity . When Cassius and Brutus argue over what to do about Caesar , they coresponsively create each other's characters ...
... create each other : in a dialogue , speaker and listener merge and are dependent on each other for life and identity . When Cassius and Brutus argue over what to do about Caesar , they coresponsively create each other's characters ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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