The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 46
... continually breaking down in practice ? The point , after all , is that they aren't breaking down in practice ; in combining with each other they are behaving as naturally as paint on a canvas . My objective is not to find a set of ...
... continually breaking down in practice ? The point , after all , is that they aren't breaking down in practice ; in combining with each other they are behaving as naturally as paint on a canvas . My objective is not to find a set of ...
Strona 61
... continually interposing delays in the form of subplots , comic relief , and long descriptions between promise and ... continual resort to what we might call the ostrich syndrome whereby all urgencies are either ig- nored completely or ...
... continually interposing delays in the form of subplots , comic relief , and long descriptions between promise and ... continual resort to what we might call the ostrich syndrome whereby all urgencies are either ig- nored completely or ...
Strona 104
... continually confuses the representational and the represented worlds . For as Moon , the theater critic reviewing the play , puts it , “ What in fact is this play concerned with ? It is my belief that here we are concerned with what I ...
... continually confuses the representational and the represented worlds . For as Moon , the theater critic reviewing the play , puts it , “ What in fact is this play concerned with ? It is my belief that here we are concerned with what I ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write