The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Strona 68
... comes directly from Aristotle , who clearly saw this relation between drama and the fait - divers principle : " even among chance occurrences the ones people consider most marvelous are those that seem to have come about as if on ...
... comes directly from Aristotle , who clearly saw this relation between drama and the fait - divers principle : " even among chance occurrences the ones people consider most marvelous are those that seem to have come about as if on ...
Strona 75
... come and go , and what comes and goes in it is of a different order from the present itself . The theater , with all its metaphors of “ on ” and “ off ” and “ enter ” and “ exit omnes , ” is the place par excellence that preserves the ...
... come and go , and what comes and goes in it is of a different order from the present itself . The theater , with all its metaphors of “ on ” and “ off ” and “ enter ” and “ exit omnes , ” is the place par excellence that preserves the ...
Strona 90
... comes in trying to outguess the cat who wrote the play . Thus our generic expectation of a peripety leads us into peripetous thought patterns , wherein the actual peripety , when it comes , is a kind of lightning bolt that discharges ...
... comes in trying to outguess the cat who wrote the play . Thus our generic expectation of a peripety leads us into peripetous thought patterns , wherein the actual peripety , when it comes , is a kind of lightning bolt that discharges ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write