The Pleasure of the PlayCornell University Press, 1994 - 226 This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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... Poetics , as is my approach in the introductory course itself . And one of my early " Oedipal ” difficulties was in not realizing what was in front of my eyes all along — that the real introductory text of the drama had already been ...
... Poetics , as is my approach in the introductory course itself . And one of my early " Oedipal ” difficulties was in not realizing what was in front of my eyes all along — that the real introductory text of the drama had already been ...
Strona 42
Bert O. States. CHAPTER 3 The Poetics as Ur - Text o the casual reader , Aristotle's Poetics is hardly a stimulating To book , and much of it deals with archaic topics ( the various forms of recognition ) that no longer have much ...
Bert O. States. CHAPTER 3 The Poetics as Ur - Text o the casual reader , Aristotle's Poetics is hardly a stimulating To book , and much of it deals with archaic topics ( the various forms of recognition ) that no longer have much ...
Strona 48
... poetic ideals as there may be . Like the species of the plant and animal kingdoms , the species of ideal described in the Poetics is capable of interbreeding . It may , in other words , become diluted , or less purely observable in a ...
... poetic ideals as there may be . Like the species of the plant and animal kingdoms , the species of ideal described in the Poetics is capable of interbreeding . It may , in other words , become diluted , or less purely observable in a ...
Spis treści
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Prawa autorskie | |
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