Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575-1700

Przednia okładka
Oxford University Press, 13 gru 2001 - 304
This volume examines musical culture both inside and outside seventeenth-century Sienese convents. In contrast to earlier studies of Italian convent music, this book draws upon archival sources to reconstruct an ecclesiastical culture that celebrated music internally and shared music freely with the community outside convent walls. Colleen Reardon argues that cloistered women in Siena enjoyed a significant degree of freedom to engage in musical pursuits. The nuns produced a remarkable body of work including motets, lamentations, theatrical plays and even an opera. As a result, the convent became an important cultural center in Siena that enjoyed the support and encouragement of its clergy and lay community.

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Spis treści

Introduction
3
Nuns and Convent Life in Siena 15501700
9
Musical Activities in the Early Modern Sienese Convent
30
Clothing Profession and Consecration Ceremonies in Sienese Convents
50
Music in Sienese Convent Theatrical Productions during the Seventeenth Century
75
The Role of Music in the vite of Sienese Holy Women
98
The Chigi the Convent and Opera in Siena 16691686
123
Lamentations and Motets for Nuns in SeventeenthCentury Siena
154
Documents
192
Spiritual Autobiography of Maria Francesca Piccolomini
201
Spiritual Biography of Maria Francesca Piccolomini
209
Glossary
219
Notes
223
Selected Bibliography
273
Index
283
Prawa autorskie

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Popularne fragmenty

Strona 116 - My soul magnifies the Lord, and my spirit rejoices in God my Savior; for he has regarded the low estate of his handmaiden.
Strona 269 - O dulcissime Domine Jesu, quanta est dulcedo devotae animae, tecum epulantis in convivio tuo! ubi ei non alius cibus manducandus proponitur, nisi tu unicus dilectus ejus, super omnia desideria cordis ejus desiderabilis!
Strona 244 - Il Malatesta comedia spirituale del miracolo della sacra Vergine Santa Caterina da Siena...
Strona 256 - Genres, Generations and Gender: Nuns' Music in Early Modern Milan, c. 1550-1706,
Strona 256 - Misciatelli, Caterina Vannini, una cortigiana convertita senese e il cardinale Federigo Borromeo alla luce di un epistolario inedito, MilanoRoma 1932; A.
Strona 257 - Georgina Masson, Courtesans of the Italian Renaissance (New York: St. Martin's Press, 1975); and Rita Casagrande di Villaviera, Le cortigiane veneziane del Cinquecento (Milan: Longanesi, 1968).

Informacje bibliograficzne