Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575-1700Oxford University Press, 13 gru 2001 - 304 This volume examines musical culture both inside and outside seventeenth-century Sienese convents. In contrast to earlier studies of Italian convent music, this book draws upon archival sources to reconstruct an ecclesiastical culture that celebrated music internally and shared music freely with the community outside convent walls. Colleen Reardon argues that cloistered women in Siena enjoyed a significant degree of freedom to engage in musical pursuits. The nuns produced a remarkable body of work including motets, lamentations, theatrical plays and even an opera. As a result, the convent became an important cultural center in Siena that enjoyed the support and encouragement of its clergy and lay community. |
Z wnętrza książki
Wyniki 1 - 5 z 39
Strona 3
... Ognissanti, "la Giarra," a Gesuate nun at the convent of S. Sebastiano (com- monly called "Vallepiatta"), "la Grisona" at S. Niccolo` of the Franciscan order, and other almost innumerable women, religious and lay, who not only sing ...
... Ognissanti, "la Giarra," a Gesuate nun at the convent of S. Sebastiano (com- monly called "Vallepiatta"), "la Grisona" at S. Niccolo` of the Franciscan order, and other almost innumerable women, religious and lay, who not only sing ...
Strona 11
... Ognissanti was the oldest of the two female monasteries with specifically Sienese roots. It began as a Benedictine convent and was in existence by at least 1288, when the nuns were mentioned as beneficiaries in a will. Although the nuns ...
... Ognissanti was the oldest of the two female monasteries with specifically Sienese roots. It began as a Benedictine convent and was in existence by at least 1288, when the nuns were mentioned as beneficiaries in a will. Although the nuns ...
Strona 12
... Ognissanti took the Olivetan habit. The convent grew in size in the mid-to-late fifteenth century when the sisters of S. Barnaba were forced out of their home and ordered to join ranks with the Olivetan nuns. Ognissanti sheltered fifty ...
... Ognissanti took the Olivetan habit. The convent grew in size in the mid-to-late fifteenth century when the sisters of S. Barnaba were forced out of their home and ordered to join ranks with the Olivetan nuns. Ognissanti sheltered fifty ...
Strona 13
... Ognissanti, S. Petronilla, Santuccio, and S. Maria Maddalena were all favored by members of the Sienese nobility and the ruling elite, who were more likely to provide their daughters with musical training and more apt to regard musical ...
... Ognissanti, S. Petronilla, Santuccio, and S. Maria Maddalena were all favored by members of the Sienese nobility and the ruling elite, who were more likely to provide their daughters with musical training and more apt to regard musical ...
Strona 15
... Ognissanti 1288 62 Other Convertite (reformed prostitutes) 1570 93 Il Refugio (impoverished nobility) 1580 48 Bold: convents with musical ensembles. musical endeavors. The Olivetans were renowned for promoting the study of art and music ...
... Ognissanti 1288 62 Other Convertite (reformed prostitutes) 1570 93 Il Refugio (impoverished nobility) 1580 48 Bold: convents with musical ensembles. musical endeavors. The Olivetans were renowned for promoting the study of art and music ...
Spis treści
3 | |
9 | |
Musical Activities in the Early Modern Sienese Convent | 30 |
Clothing Profession and Consecration Ceremonies in Sienese Convents | 50 |
Music in Sienese Convent Theatrical Productions during the Seventeenth Century | 75 |
The Role of Music in the vite of Sienese Holy Women | 98 |
The Chigi the Convent and Opera in Siena 16691686 | 123 |
Lamentations and Motets for Nuns in SeventeenthCentury Siena | 154 |
Documents | 192 |
Spiritual Autobiography of Maria Francesca Piccolomini | 201 |
Spiritual Biography of Maria Francesca Piccolomini | 209 |
Glossary | 219 |
Notes | 223 |
Selected Bibliography | 273 |
Index | 283 |
Inne wydania - Wyświetl wszystko
Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575-1700 Colleen Reardon Ograniczony podgląd - 2002 |
Kluczowe wyrazy i wyrażenia
Abbondio allowed appears archbishop asked beginning Blessed called Caterina Celestial century ceremony chapter Chigi choir Christ church Ciaia cloister clothing composer continued convent daughters decrees Delight devotional Divine Love documents Donna early example feast female girl hand holy honor important Innocence institutions Italy Lamentations letter living Madonna Maria Maria Francesca monache monastery monastic motet musicians notes nuns œ œ œ Ognissanti opera passage performed Piccolomini play Pope Alexander VII practice present Press probably profession records religious rite role Rome Sacred saints Santa scene served seventeenth Siena Sienese sing singers sisters songs sopp soprano spiritual statue suggests Suor took University virgins vita voice walls women young
Popularne fragmenty
Strona 116 - My soul magnifies the Lord, and my spirit rejoices in God my Savior; for he has regarded the low estate of his handmaiden.
Strona 269 - O dulcissime Domine Jesu, quanta est dulcedo devotae animae, tecum epulantis in convivio tuo! ubi ei non alius cibus manducandus proponitur, nisi tu unicus dilectus ejus, super omnia desideria cordis ejus desiderabilis!
Strona 244 - Il Malatesta comedia spirituale del miracolo della sacra Vergine Santa Caterina da Siena...
Strona 256 - Genres, Generations and Gender: Nuns' Music in Early Modern Milan, c. 1550-1706,
Strona 256 - Misciatelli, Caterina Vannini, una cortigiana convertita senese e il cardinale Federigo Borromeo alla luce di un epistolario inedito, MilanoRoma 1932; A.
Strona 257 - Georgina Masson, Courtesans of the Italian Renaissance (New York: St. Martin's Press, 1975); and Rita Casagrande di Villaviera, Le cortigiane veneziane del Cinquecento (Milan: Longanesi, 1968).