New challenges for documentary
The first edition of this book provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it. Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary filmmaking but making connections with a range of work in media and communications analysis.With its wide range of contributors and the international scope of its agenda, this will be essential reading for general filmmakers and documentary students both of academic and practical inclinations.
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Documentary as Genre
Film Jay Ruby
Television Documentary and the Category of
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actually aesthetic Alan American High Arab asked audience become Bowling for Columbine British broadcast camera Cannibal Tours cinema verite commentary crew critical cultural Dennis O'Rourke direct cinema docu docudrama document documentary film docusoap drama dramadoc dramadocumentary dramatised editing Emile de Antonio episode ethical example experience fact feel fiction Film Board film's filmmakers footage genre going happened historians historical documentaries idea images interest interview involved issues Jay Ruby journalistic kind Listen to Britain lives look makers material McCarthy meaning mentary mock-documentary movie Murrow narration never past photographs political popular problem producer questions reality reflexive scene screen script sense sequence shooting shot social story strategies talk television tell things tion Tongues Untied truth viewers visual voice Zapruder film