Russian Television Today: Primetime Drama and Comedy

Przednia okładka
Routledge, 7 sie 2007 - 256

Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in dealing with their recent history: ‘What really happened to us?’ and, accordingly, ‘Why?’

The book covers important issues in Russian television today, including:

  • the reworking of new ‘national’ on-screen heroes
  • its relationship with classic literature
  • the revisionist portrayal of a romantic portrait of life in the Soviet era
  • the role of thematic elements such as love, fidelity, humour and irony
  • the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration.

This book provides a detailed account of the critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society.

 

Spis treści

Sweeping statements and broad horizons
1
Don Quixote or James Bond?
9
TV drama vs literary prestige
32
The influence of Latin America
64
Life as it really is
84
Little people in the Big City
103
Airports planes and wedding trains
126
Nervous giggling and its serious object
149
Making sense of something
168
Soviet traditions come home
187
Fighting the good fight
209
Filmography
215
Notes
226
Index
241
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Informacje o autorze (2007)

David MacFadyen is Professor in the Department of Slavic Languages and Literatures at the University of California, Los Angeles, USA. He is the author of numerous books on many aspects of Russian literature and culture, including the poetry of Joseph Brodsky, classic Soviet prose, popular song across the twentieth century, comedic cinema, and animated film.

Informacje bibliograficzne