King LearThomas Nelson and Sons, 1997 - 437 In this edition, R.A. Foakes brings to bear a number of historical perspectives and critically addresses recent explorations of King Lear as a play of redemption, a play of despair and a play that destabilizes all commentary. Included is a composite text of Quarto and Folio versions, which allows readers to make their own editorial judgements. |
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... role ( 1982 ) . The Fool is most vividly established in 1.4 and 1.5.2 If he is not present in the first scene , it may be claimed that because the Fool and Cordelia are never on stage together the same actor could have doubled in both roles ...
... role ( 1982 ) . The Fool is most vividly established in 1.4 and 1.5.2 If he is not present in the first scene , it may be claimed that because the Fool and Cordelia are never on stage together the same actor could have doubled in both roles ...
Strona 134
... role of the Fool everything that is associated with clownery ' , and turned him into a youthful village idiot , costumed as a beggar with a shaved head ( Kozintsev2 , 71–2 ) . One of the main reasons for these widely differing interpre ...
... role of the Fool everything that is associated with clownery ' , and turned him into a youthful village idiot , costumed as a beggar with a shaved head ( Kozintsev2 , 71–2 ) . One of the main reasons for these widely differing interpre ...
Strona 137
... role of Fool , at once mad and rational , riddlingly speaking ' matter and imperti- nency mixed ' , as Edgar puts it ( 4.6.170 ) . As first Lear and then Kent act as ' feeds ' to the Fool , so in Act 4 the blind Gloucester has that ...
... role of Fool , at once mad and rational , riddlingly speaking ' matter and imperti- nency mixed ' , as Edgar puts it ( 4.6.170 ) . As first Lear and then Kent act as ' feeds ' to the Fool , so in Act 4 the blind Gloucester has that ...
Spis treści
Two textual problems | 393 |
Lineation | 403 |
Abbreviations and references | 416 |
Prawa autorskie | |
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action actors Adrian Noble Albany Albany's Ard² audience bastard Blayney blind Bratton Brownlow Burgundy Cam² Capell Cordelia Cornwall daughters death Dent disguised Duke Duke of Cornwall echo Edgar edited Edmund Enter Exeunt Exit eyes father Folio text follow Fool Fool's foul papers Gentleman give Gloucester Gloucester's gods Goneril and Regan Harsnett hath heart Holinshed Hunter i'the idea Introduction Kent Kent's King Lear King of France kingdom knights Lear's Leir letter line Q lord madam meaning nature noble nuncle o'the omitted opening scene Oswald Paul Scofield perhaps play Poor Poor Tom Pope printed prose Q Q and F Q lines Q SD Quarto reference role Rosenberg royal royal plural Royal Shakespeare Theatre seems sense servant Shakespeare sister speak speech stage storm suggests textual notes Theatre thee Theobald thine thou tion verse words