King LearThomas Nelson and Sons, 1997 - 437 In this edition, R.A. Foakes brings to bear a number of historical perspectives and critically addresses recent explorations of King Lear as a play of redemption, a play of despair and a play that destabilizes all commentary. Included is a composite text of Quarto and Folio versions, which allows readers to make their own editorial judgements. |
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... play with elemental forces and Druid circles may be linked with the elevation of King Lear by Romantic writers as the grandest of Shakespeare's plays , in which we find in Lear a ' sublime identification of his age with that of the ...
... play with elemental forces and Druid circles may be linked with the elevation of King Lear by Romantic writers as the grandest of Shakespeare's plays , in which we find in Lear a ' sublime identification of his age with that of the ...
Strona 80
... play , and the pathos of the final image of Lear is affected by our awareness of this contradiction , in so far as it is mirrored in what has happened to him . RESPONSES AND REWORKINGS The critics and the play The account I have given ...
... play , and the pathos of the final image of Lear is affected by our awareness of this contradiction , in so far as it is mirrored in what has happened to him . RESPONSES AND REWORKINGS The critics and the play The account I have given ...
Strona 81
... play in this way paradoxically led to a greater internalization of the play's action , and an emphasis on what became seen as the ' pilgrimage ' of Lear . Bradley went so far as to propose as a title for the play ' The Redemption of ...
... play in this way paradoxically led to a greater internalization of the play's action , and an emphasis on what became seen as the ' pilgrimage ' of Lear . Bradley went so far as to propose as a title for the play ' The Redemption of ...
Spis treści
Two textual problems | 393 |
Lineation | 403 |
Abbreviations and references | 416 |
Prawa autorskie | |
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action actors Adrian Noble Albany Albany's Ard² audience bastard Blayney blind Bratton Brownlow Burgundy Cam² Capell Cordelia Cornwall daughters death Dent disguised Duke Duke of Cornwall echo Edgar edited Edmund Enter Exeunt Exit eyes father Folio text follow Fool Fool's foul papers Gentleman give Gloucester Gloucester's gods Goneril and Regan Harsnett hath heart Holinshed Hunter i'the idea Introduction Kent Kent's King Lear King of France kingdom knights Lear's Leir letter line Q lord madam meaning nature noble nuncle o'the omitted opening scene Oswald Paul Scofield perhaps play Poor Poor Tom Pope printed prose Q Q and F Q lines Q SD Quarto reference role Rosenberg royal royal plural Royal Shakespeare Theatre seems sense servant Shakespeare sister speak speech stage storm suggests textual notes Theatre thee Theobald thine thou tion verse words