Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art, Tom 1;Tom 8"Answers to how various mythological, Biblical, and literary themes have been treated in literature, art, music, and the performing arts can be found in this work. It provides an analysis of over 100 selected themes that reflect the increasingly interdisciplinary nature of scholarly and academic work through the use of various iconographical sources. The alphabetical arrangement facilitates browsing, while the six indexes provide multiple access by considering, among others, references to the Bible; Judeo-Christian personages, places and concepts; and artists and works of art".--"Outstanding Reference Sources : the 1999 Selection of New Titles", American Libraries, May 1999. Comp. by the Reference Sources Committee, RUSA, ALA. |
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Strona 64
Judith Leyster's Self-Portrait reproduces one of her paintings within the painting,
again to demonstrate her role as artist rather than as woman. Marie-Louise-
Elisabeth Vigee-Lebrun's Madame Vigee-Lebrun and Child, painted in the 1780s
, ...
Judith Leyster's Self-Portrait reproduces one of her paintings within the painting,
again to demonstrate her role as artist rather than as woman. Marie-Louise-
Elisabeth Vigee-Lebrun's Madame Vigee-Lebrun and Child, painted in the 1780s
, ...
Strona 65
gorical paintings, cites her as the painter of portraits. Kahlo's portraits convey the
difficulties of establishing a professional role for women artists, and, like
Carrington, her self-portraits almost always allude to domestic life or settings as
well as ...
gorical paintings, cites her as the painter of portraits. Kahlo's portraits convey the
difficulties of establishing a professional role for women artists, and, like
Carrington, her self-portraits almost always allude to domestic life or settings as
well as ...
Strona 311
Assuming this not to be accidental, we may note that Vasari refers to his early
success as a painter as due to his training with Michelangelo and Andrea del
Sarto, whose portraits are included below Fame and adjacent to Painting. Years
later ...
Assuming this not to be accidental, we may note that Vasari refers to his early
success as a painter as due to his training with Michelangelo and Andrea del
Sarto, whose portraits are included below Fame and adjacent to Painting. Years
later ...
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Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art Helene E. Roberts Ograniczony podgląd - 2013 |
Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art Helene E. Roberts Ograniczony podgląd - 2013 |
Encyclopedia of comparative iconography : themes depicted in works of ..., Tom 2 Helene E. Roberts Podgląd niedostępny - 1998 |
Kluczowe wyrazy i wyrażenia
Abduction Allegory Altarpiece ancient Andrea angels Annunciation Art Gallery Art Museum artists bathing birth bronze Cathedral century B.C. Christ Christian Church circa classical Crucifixion Dance David death depicted Dionysus divine dream early Elder England engraving example figure Florence fool France fresco Gemaldegalerie Germany goddess Greek hair head human iconography illuminated manuscript illustrated Italy Jesus John Judith King kiss Kunsthistorisches Museum Last Judgment London Louvre Madrid maenads manuscript Mary Massachusetts medieval Metropolitan Museum Michelangelo modern motif Munich Musee Museo Museum of Art myth Mythology narrative National Gallery Nicolas nineteenth century nude oil on canvas painter painting Palazzo panel Paris portraits Poussin Prado private collection Rape relief Rembrandt Rembrandt van Rijn Renaissance representations Roman Rome Saint sarcophagus scene sculpture Self-Portrait seventeenth century Silenus sixteenth century Staatliche story Susanna symbol Tate Gallery theme Tintoretto tion Titian tomb Uffizi Gallery University Press Vasari Venus Virgin visual woman women woodcut York