SPECIMENS OF ENGLISH DRAMATIC POETS. THE LOVER'S MELANCHOLY. BY JOHN FORD. Contention of a Bird and a Musician. Passing from Italy to Greece, the tales To Thessaly I came, and living private, Without acquaintance of more sweet companions I day by day frequented silent groves, This youth, this fair fac'd youth, upon his lute Nature's best skill'd musician, undertakes The challenge; and, for every several strain The well-shap'd youth could touch, she sung her down ; Upon his quaking instrument, than she The nightingale did with her various notes Some time thus spent, the young man grew at last Into a pretty anger; that a bird, Whom art had never taught cliffs, moods, or notes, Concord in discord, lines of diff'ring method The bird (ordained to be Music's first martyr) strove to imitate These several sounds: which when her warbling throat Fail'd in, for grief down dropt she on his lute And brake her heart. It was the quaintest sadness, To see the conqueror upon her hearse To weep a funeral elegy of tears. He looks upon the trophies of his art, Then sigh'd, then wiped his eyes, then sigh'd, and cried. "Alas, poor creature, I will soon revenge This cruelty upon the author of it. Henceforth this lute, guilty of innocent blood, Shall never more betray a harmless peace To an untimely end ;" and in that sorrow, I suddenly stept in. [This Story, which is originally to be met with in Strada's Prolusions, has been paraphrased in rhyme by Crashaw, Ambrose Phillips, and others. but none of those versions can at all compare for harmony and grace with this blank verse of Ford's; It is as fine as anything in Beaumont and Fletch er; and almost equals the strife which it celebrates.] THE LADIES TRIA. BY JOHN FORD. Auria, in the possession of Honors, Preferment, Fame, can find no peace in his mind while he thinks his Wife unchaste. AURIA. AURELIO. Auria. Count of Savona, Genoa's Admiral, Lord Governor of Corsica, enroll'd A Worthy of my country, sought and sued to, My triumphs Are echoed under every roof, the air Is streightned with the sound, there is not room Aurelio. Glories in public view but add to misery, Auria. At home! That home, Aurelio speaks of, I have lost : Sleeps, heaven knows where. Would she and I, my wife The woman, would we had together fed LOVE'S SACRIFICE; A TRAGEDY. BY JOHN FORD. Biancha, Wife to Caraffa, Duke of Pavia, loves and is loved by Fernando the Duke's favorite. She long resists his importunate suit; at length she enters the room where he is sleeping and awakens him, to hear her confession of her love for him. BIANCHA. FERDINAND, sleeping. What, are those eyes, Bian. Resolve, and do; 'tis done. How sweetly sleep hath seal'd up sorrows here! Fer. Who calls? Bian. My Lord : Sleeping, or waking ? Fer. Ha, who is 't? Have you forgot my voice? or is your ear But useful to your eye? Fer. Madam the Duchess ! Bian. She, 'tis she; sit up: Sit up and wonder, whiles my sorrow swell: Bian. 'Tis possible: Why do you think I come? Fer. Why? to crown joys, And make me master of my best desires. Bian. 'Tis true, you guess aright; sit up and listen. With shame and passion now I must confess, Since first mine eyes beheld you, in my heart You have been only king. If there can be A violence in love, then I have felt Fernando, in short words, howe'er my tongue Was music to my ear: was never poor Poor wretched woman liv'd, that lov'd like me; Fer. Oh Madam Bian. To witness that I speak is truth, look here; Thus singly I adventure to thy bed, And do confess my weakness: if thou tempt'st Fer. Perpetual happiness! Bian. Now hear me out : When first Caraffa, Pavy's Duke, my Lord Not mov'd by counsel, or remov'd by greatness I have done so: nor was there in the world Bian. True, I do, Beyond imagination: if no pledge Of love can instance what I speak is true, Fer. What do you mean? Bian. To give my body up to thy embraces; To thee, to heaven, to the world, to time, Ere yet the morning shall new christen day, Fer. How, Madam, how? Bian. I will: |