The Agamemnon of AeschylusJ. Murray, 1831 - 267 |
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Strona xiv
... taste the author has every reason to defer , and but for their favourable opinion it would never have been sub- mitted to the public eye . In making this allusion he owes it to his own feelings to express his obli- gation to his learned ...
... taste the author has every reason to defer , and but for their favourable opinion it would never have been sub- mitted to the public eye . In making this allusion he owes it to his own feelings to express his obli- gation to his learned ...
Strona 5
... taste for the marvellous . In the first ages of the world , when the artificial resources favourable to leisure and to study were rare , † and society wore a patriarchal aspect , its circumstances were of necessity pecu- * Τό , τε γὰρ ...
... taste for the marvellous . In the first ages of the world , when the artificial resources favourable to leisure and to study were rare , † and society wore a patriarchal aspect , its circumstances were of necessity pecu- * Τό , τε γὰρ ...
Strona 35
... taste was displayed by Æschylus in the drapery of his performers , which , according to Athenæus , † was arranged with such elegance , and at the same time with such attention to propriety , as to have furnished models for improving the ...
... taste was displayed by Æschylus in the drapery of his performers , which , according to Athenæus , † was arranged with such elegance , and at the same time with such attention to propriety , as to have furnished models for improving the ...
Strona 38
... taste could suggest or desire , for such combinations . But the charm of Southern landscape depends not solely on the romantic or beautiful features which enter into its composition . In that land of the Sun , the purity of the atmo ...
... taste could suggest or desire , for such combinations . But the charm of Southern landscape depends not solely on the romantic or beautiful features which enter into its composition . In that land of the Sun , the purity of the atmo ...
Strona 50
... way Demodocus in Homer draws tears from the eyes of Ulysses . * The early attention which the Greeks paid to vocal , no less than to * Odyss . lib . viii . 86 . musical science , their high degree of natural taste , ( 50 )
... way Demodocus in Homer draws tears from the eyes of Ulysses . * The early attention which the Greeks paid to vocal , no less than to * Odyss . lib . viii . 86 . musical science , their high degree of natural taste , ( 50 )
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actors Agamemnon allusions ancient ANTISTROPHE Apollo appears Aristophanes ascribed Athenæus Athenian Athens Atreus Bacchus battle of Marathon beauty bloody bright C. R. Cockerell Cassandra character charm choral choregus chorus Cleon Clytemnestra composed cruel death deed deities Demosthenes dialogue drama dread Eschylus Eumenides Euripides evil expression eyes fatal fate favour feelings festivals Furies genius gods grace Grecian tragedy Greece grief hail herald honour illustrious Iphigeneia Jove justice language light lofty modern moral mourn nature o'er oracles orator orchestra Orestes original painted passage Pericles philosopher Pindar Plato Plisthenes Plutarch poet poetical poetry Pratinas prophetic proscenium Prytaneum rendered rival scene Schutz SEMI-CHORUS sentiment shrine smiles Socrates Sophocles spectators spirit style sublime sway taste thee Thespis thou Thucyd Thucydides tion tongue torch tragic train translation triumph Troy truth vengeance Vitruvius voice words writers δὲ καὶ τῶν
Popularne fragmenty
Strona 5 - And he asked them of their welfare, and said, Is your father well, the old man of whom ye spake? Is he yet alive ? And they answered, Thy servant our father is in good health, he is yet alive.
Strona 212 - O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white — then melts for ever; Or like the borealis race That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm. Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o...
Strona 29 - TRAGEDY, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems ; therefore said by Aristotle to be of power, by raising pity, and fear, or terror, to purge the mind of those and such like passions, that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.
Strona 50 - His whispering stream : within the walls then view The schools of ancient sages ; his, who bred Great Alexander to subdue the world, Lyceum there, and painted Stoa next...
Strona 30 - This is mentioned to vindicate tragedy from the small esteem, or rather infamy, which in the account of many it undergoes at this day with other common interludes...
Strona 149 - First in his east the glorious lamp was seen, Regent of day, and all the horizon round Invested with bright rays, jocund to run His longitude through heaven's high road ; the gray Dawn and the Pleiades before him danced, Shedding sweet influence.
Strona 219 - Put out the light, and then put out the light. If I quench thee, thou flaming minister, I can again thy former light restore, Should I repent me; but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.
Strona 203 - And yet is most pretended : in a place Less warranted than this, or less secure, I cannot be, that I should fear to change it. Eye me, blest Providence, and square my trial To my proportioned strength ! Shepherd, lead on.
Strona 115 - Sigh to the fanning breeze, you shall inhale Sweet odours wafted in the breath of spring. This is the regimen that will insure A healthful body and a vigorous mind, A countenance serene, expanded chest, Heroic stature and a temperate tongue...
Strona 120 - ... the fine arts; where Pericles had spoken and ruled, where Thucydides was then writing, where Socrates was then teaching, where Xenophon and Plato and Isocrates were receiving their education, and where the paintings of Parrhasius and Zeuxis, the sculpture of Pheidias and Praxiteles, the architecture of Callicrates and Ictinus, and the sublime and chaste dramas of Sophocles and Euripides formed the delight of the people.