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figures, which enriched the metopes of the Doric entablature, added to the size and effect of the larger figures with which the pediment was decorated.

The above suggestions may suffice to call the attention of students to these much disputed points of the Greek Theatre, and may lead them to compare the descriptions left us by the ancients with the actual remains of these edifices, and with the arrangements which must necessarily have accompanied the representation of the dramas themselves.

THE END,

LONDON:

PRINTED BY C. ROWORTH AND SONS, BELL YARD,

TEMPLE BAR.

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