Elements of Criticism, Tom 1J. Bell and W. Creech, 1788 |
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Strona 36
... faid about the production of e- motion or paffion , refolves into a very simple propofition , That we love what is agreeable , and hate what is difagreeable . And indeed it is evident , that a thing must be agreeable or difagreeable ...
... faid about the production of e- motion or paffion , refolves into a very simple propofition , That we love what is agreeable , and hate what is difagreeable . And indeed it is evident , that a thing must be agreeable or difagreeable ...
Strona 44
... faid , properly speaking , to have an object . The objects of our paffions may be distinguish- ed into two kinds , general and particular . A man , a house , a garden , is a particular object : fame , esteem , opulence , honour , are ...
... faid , properly speaking , to have an object . The objects of our paffions may be distinguish- ed into two kinds , general and particular . A man , a house , a garden , is a particular object : fame , esteem , opulence , honour , are ...
Strona 46
... faid to have a motive , because they are not done with any view to confequences , We learn from experience , that the gratifica- tion of defire is pleasant ; and the forefight of that pleasure becomes often an additional motive for ...
... faid to have a motive , because they are not done with any view to confequences , We learn from experience , that the gratifica- tion of defire is pleasant ; and the forefight of that pleasure becomes often an additional motive for ...
Strona 58
... faid to be gratified . Now , the grati- fication of every paffion must be pleasant ; for nothing can be more natural , than that the ac- complishment of any wifh or defire should affect us with joy : I know of no exception but when a ...
... faid to be gratified . Now , the grati- fication of every paffion must be pleasant ; for nothing can be more natural , than that the ac- complishment of any wifh or defire should affect us with joy : I know of no exception but when a ...
Strona 59
... extreme pleasure that follows a ceffation of bodily pain ; as when one is relie- ved from the rack , or from a violent fit of the ftone . ftone . What is faid explains this difficulty , in Part I. EMOTIONS AND PASSIONS . 59.
... extreme pleasure that follows a ceffation of bodily pain ; as when one is relie- ved from the rack , or from a violent fit of the ftone . ftone . What is faid explains this difficulty , in Part I. EMOTIONS AND PASSIONS . 59.
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action againſt agreeable alfo alſo appear arifing arts beauty becauſe Cæfar cafe caufe cauſe chap circumftances colour connection courfe courſe cuſtom defcribing defcription defire degree difagreeable dignity diſcover diſtinguiſhed diſtreſs effect elevation emotion raiſed expreffed expreffion external figns faid fame feeling feems fenfe fenfible fentiments fhall fhould fight fimilar fingle fingular fion firſt focial fome fometimes ftill fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification greateſt habit happineſs hath Henry IV himſelf impreffion inftances itſelf ject lefs leſs meaſure mind moft moſt motion mufic muft muſt nature neceffary obfervation object occafion oppofite Othello paffage paffion pain perceptions perfon pleaſant pleaſant emotion pleaſure prefent produce produceth propriety puniſh purpoſe reafon reflection reliſh reſemblance reſpect riety ſcarce ſenſe Shakeſpear ſhall ſpeak ſpectator ſtate ſtill ſtrong tafte taſte thefe theſe things thofe thoſe thou tion uſe variety
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