Nietzsche and the Spirit of TragedyMacmillan, 1990 - 199 Keith May discusses the development, and frequent misunderstanding of, tragedy - explaining the insights of Nietzsche in "The Birth of Tragedy." He looks at its history from the early Greek playwrights, to Renaissance drama, up to more modern writers of tragedy such as Ibsen and Hardy. |
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Aeschylus | 27 |
Sophocles | 48 |
Impious Euripides | 71 |
Prawa autorskie | |
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Admetus Aeschylus Aeschylus and Sophocles Agamemnon Ajax Alcestis Antigone Apollo Apollonian argument artist attitude behaviour believe Birth of Tragedy Cambridge century certainly character Chorus Christian Clytemnestra commentary by Walter creative creature Creon culture death deeds Dionysian Dionysus Division of Random drama dream eternal ethical Euripides everything evil fact Fates feelings force genius gods Greek Tragedy H. D. F. Kitto Hardy Hedda Heraclitus hero heroine human Ibid Ibsen idea individual intro justice Kaufmann New York knowledge Marlowe matter means Medea metaphysical mind modern moral nature Nietzsche Nietzsche's nihilism notion Oedipus one's Oresteia Orestes passion person philosophy Plato play question R. J. Hollingdale realise reality reason recognised remarks Renaissance Section seems sense Shakespeare simply social society Socrates Sophocles sort soul speak spectators spirit suffering things thought tragic trans truth University Press vision Walter Kaufmann Webster William Heinemann words Xerxes Zarathustra Zeus