Patterns in Shakespearian TragedyRoutledge, 13 wrz 2013 - 224 First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Strona 10
... , or the tragic flaw , a con- cept exceedingly vague and ill - defined in Aristotle himself , is very difficult to apply at all to a tragedy like Shakespeare's , based more closely as it is on the Christian notion of sin ΙΟ Introduction.
... , or the tragic flaw , a con- cept exceedingly vague and ill - defined in Aristotle himself , is very difficult to apply at all to a tragedy like Shakespeare's , based more closely as it is on the Christian notion of sin ΙΟ Introduction.
Strona 17
... sins . In many ways he is a forerunner of Coriolanus . Titus embodies all the ancient Roman virtues : ' A nobler man , a braver warrior , / Lives not this day within the city walls ' ( I.1.25-26 ) . He has given his life and his sons ...
... sins . In many ways he is a forerunner of Coriolanus . Titus embodies all the ancient Roman virtues : ' A nobler man , a braver warrior , / Lives not this day within the city walls ' ( I.1.25-26 ) . He has given his life and his sons ...
Strona 20
... sin is in adherence to a Roman code of justice to the dead , in spite of the pleas of a Christian ideal of mercy and of the Renaissance creed that those who fight bravely for ... sins in the first act . In acts two 20 Senecan Beginnings.
... sin is in adherence to a Roman code of justice to the dead , in spite of the pleas of a Christian ideal of mercy and of the Renaissance creed that those who fight bravely for ... sins in the first act . In acts two 20 Senecan Beginnings.
Strona 21
Irving Ribner. Titus sins in the first act . In acts two and three we see Titus made to suffer by the evil forces which his own sins have un- leashed upon him . By the second scene of the third act , Titus has begun to plot his revenge ...
Irving Ribner. Titus sins in the first act . In acts two and three we see Titus made to suffer by the evil forces which his own sins have un- leashed upon him . By the second scene of the third act , Titus has begun to plot his revenge ...
Strona 22
... sins , but who while inflicting punishment upon others would also damn his own soul . Such a conception called for a ... sinful moral choice through deception , for he bears the mark of the devil from his very birth . He is a symbol of ...
... sins , but who while inflicting punishment upon others would also damn his own soul . Such a conception called for a ... sinful moral choice through deception , for he bears the mark of the devil from his very birth . He is a symbol of ...
Spis treści
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York