Patterns in Shakespearian TragedyRoutledge, 13 wrz 2013 - 224 First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... function of tragedy, its value as a way of knowing which, in its distinctive manner, postulates a moral order. This is but one of many possible approaches. Tragedy is an exploration of man's relation to the forces of evil in the world ...
... function of tragedy, its value as a way of knowing which, in its distinctive manner, postulates a moral order. This is but one of many possible approaches. Tragedy is an exploration of man's relation to the forces of evil in the world ...
Strona
... functions which the total plan requires that they perform. The theatrical tradition in which Shakespeare worked was different from the nineteenth-century naturalist theatre which has so profoundly affected the drama of our own time. A ...
... functions which the total plan requires that they perform. The theatrical tradition in which Shakespeare worked was different from the nineteenth-century naturalist theatre which has so profoundly affected the drama of our own time. A ...
Strona 1
... function of tragedy , its value as a way of knowing which , in its distinctive manner , postulates a moral order . This is but one of many possible approaches . Tragedy is an exploration of man's relation to the forces of evil in the ...
... function of tragedy , its value as a way of knowing which , in its distinctive manner , postulates a moral order . This is but one of many possible approaches . Tragedy is an exploration of man's relation to the forces of evil in the ...
Strona 2
... functions . We are not concerned with Shakespeare's process of composition , if indeed we ever could determine it , but with the fusion of theme , action , character and language into a total unity which is the final aesthetic object ...
... functions . We are not concerned with Shakespeare's process of composition , if indeed we ever could determine it , but with the fusion of theme , action , character and language into a total unity which is the final aesthetic object ...
Strona 3
... functions which the total plan requires that they perform . The theatrical tradition in which Shakespeare worked was dif- ferent from the nineteenth - century naturalist theatre which has so profoundly affected the drama of our own time ...
... functions which the total plan requires that they perform . The theatrical tradition in which Shakespeare worked was dif- ferent from the nineteenth - century naturalist theatre which has so profoundly affected the drama of our own time ...
Spis treści
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York