Patterns in Shakespearian TragedyRoutledge, 13 wrz 2013 - 224 First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... , 1956 ) ; Howard Baker , Induction to Tragedy ( Baton Rouge , 1936 ) ; Theodore Spencer , Death and Elizabethan Tragedy ( Cambridge , Mass . , 1936 ) . as Francis Fergusson has written , ' like older forms 4 Introduction.
... , 1956 ) ; Howard Baker , Induction to Tragedy ( Baton Rouge , 1936 ) ; Theodore Spencer , Death and Elizabethan Tragedy ( Cambridge , Mass . , 1936 ) . as Francis Fergusson has written , ' like older forms 4 Introduction.
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... death of another . Tragedy can exist only where there is both faith and scepticism . The Middle Ages could not create it without scepticism , and the twentieth century cannot create it without faith . When Shakespeare writes tragedy he ...
... death of another . Tragedy can exist only where there is both faith and scepticism . The Middle Ages could not create it without scepticism , and the twentieth century cannot create it without faith . When Shakespeare writes tragedy he ...
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... death . This does not mean that all of Shakespeare's tragic heroes attain salvation , for they do not , and it is not necessary that they should . Hamlet or Lear may undergo redemption , but Richard III or Macbeth is unequivocally ...
... death . This does not mean that all of Shakespeare's tragic heroes attain salvation , for they do not , and it is not necessary that they should . Hamlet or Lear may undergo redemption , but Richard III or Macbeth is unequivocally ...
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... death . Shakespeare tries also to place the fall of Titus within a larger framework in which evil too is destroyed , so that the audience , while lamenting the damnation of one soul , may have a renewed awareness of the perfection of ...
... death . Shakespeare tries also to place the fall of Titus within a larger framework in which evil too is destroyed , so that the audience , while lamenting the damnation of one soul , may have a renewed awareness of the perfection of ...
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Spis treści
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York