Patterns in Shakespearian TragedyRoutledge, 13 wrz 2013 - 224 First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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Strona 15
... comes as the result of a clever stratagem at the end of the play , but until it does the avenger berates himself for his failure to accomplish his purpose ; he goes temporarily mad ; a ghost urges him on . His self - abuse and his ...
... comes as the result of a clever stratagem at the end of the play , but until it does the avenger berates himself for his failure to accomplish his purpose ; he goes temporarily mad ; a ghost urges him on . His self - abuse and his ...
Strona 18
... comes from the destruction of evil in spite of his fall , we have a formula for tragedy which postulates the reality of evil , man's free moral choice in spite of it , and divine justice in a harmonious moral order . In Titus Andronicus ...
... comes from the destruction of evil in spite of his fall , we have a formula for tragedy which postulates the reality of evil , man's free moral choice in spite of it , and divine justice in a harmonious moral order . In Titus Andronicus ...
Strona 21
... comes to Lavinia and Titus , and in the promise of a new day for Rome with the coming of Lucius and his crowning as emperor : Thanks , gentle Romans : may I govern so , To heal Rome's harms , and wipe away her woe ! ( V.iii.147-8 ) In ...
... comes to Lavinia and Titus , and in the promise of a new day for Rome with the coming of Lucius and his crowning as emperor : Thanks , gentle Romans : may I govern so , To heal Rome's harms , and wipe away her woe ! ( V.iii.147-8 ) In ...
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Spis treści
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York