Patterns in Shakespearian TragedyRoutledge, 13 wrz 2013 - 224 First published in 1960. Patterns in Shakespearian Tragedy is an exploration of man's relation to his universe and the way in which it seeks to postulate a moral order. Shakespeare's development is treated accordingly as a growth in moral vision. His movement from play to play is carefully explored, and in the treatment of each tragedy the emphasis is on the manner in which its central moral theme shapes the various elements of drama |
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... Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and Coriolanus Index +55 14 36 65 91 116 137 168 203 ix.
... Pattern of Moral Choice : Othello 6. The Pattern of Regeneration : King Lear 7. The Operation of Evil : Timon of Athens and Macbeth 8. The Final Paradox : Antony and Cleopatra and Coriolanus Index +55 14 36 65 91 116 137 168 203 ix.
Strona
... Othello, and it is particularly clear in the final Roman plays, where characters such as Cleopatra and Aufidius are rendered psychologically inconsistent by the conflicting symbolic functions which the total plan requires that they ...
... Othello, and it is particularly clear in the final Roman plays, where characters such as Cleopatra and Aufidius are rendered psychologically inconsistent by the conflicting symbolic functions which the total plan requires that they ...
Strona 3
... Othello , and it is particularly clear in the final Roman plays , where characters such as Cleopatra and Aufidius are rendered psycho- logically inconsistent by the conflicting symbolic functions which the total plan requires that they ...
... Othello , and it is particularly clear in the final Roman plays , where characters such as Cleopatra and Aufidius are rendered psycho- logically inconsistent by the conflicting symbolic functions which the total plan requires that they ...
Strona 11
... Othello , Lear and Macbeth . But Shakespearian tragedy is not a static phenomenon . To exclude such plays as Romeo and Juliet and Titus Andronicus because they are early work , or such plays as Richard III and Julius Caesar because they ...
... Othello , Lear and Macbeth . But Shakespearian tragedy is not a static phenomenon . To exclude such plays as Romeo and Juliet and Titus Andronicus because they are early work , or such plays as Richard III and Julius Caesar because they ...
Strona 12
... Othello his mastery is complete . Out of Shakespeare's three earliest experiments we find emerg- ing three basic patterns of tragic action , each one of which could be used to illuminate a different facet of the life - journey of man in ...
... Othello his mastery is complete . Out of Shakespeare's three earliest experiments we find emerg- ing three basic patterns of tragic action , each one of which could be used to illuminate a different facet of the life - journey of man in ...
Spis treści
1 | |
14 | |
King John Richard II Julius Caesar | 36 |
Hamlet | 65 |
Othello | 91 |
King Lear | 116 |
Timon of Athens and Macbeth | 137 |
Antony and Cleopatra and Coriolanus | 168 |
Index +55 14 36 65 91 116 137 168 | 203 |
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accept action already Antony appearance attain attempt audience becomes beginning bond Brutus Caesar calls cause character Christian Claudius clear Cleopatra comes concerned Coriolanus damnation death delusion deny Desdemona designed destroy destruction developed divine dramatic Elizabethan emphasize England evil fall father fear feeling final follow forces fortune function ghost give Gloucester God's Hamlet hand hero honour human Iago John justice kind King lead Lear Lear's learned lines live London Macbeth madness man's means moral murder nature never offer opposing Othello passion pattern play political pride reality reason reflects regeneration rejection represents revenge Richard Rome Romeo and Juliet scene sense serve Shake Shakespeare Shakespearian Tragedy shows sins soul specific speech spite stands story suffering symbol thee theme thou Timon Titus Andronicus tradition tragedy tragic true turn universe victory virtue Wilson York