Split Down the Sides: On the Subject of LaughterUniversity Press of America, 1997 - 245 This book is a study of the interrelationship between comedy and selfhood. While most people have a clear idea of what is meant by comedy, the notion of a self is much more enigmatic and therefore requires illumination. The book is accordingly divided into two parts: the first attempts to clarify what is meant by a self, and the second applies the resulting schematization of selfhood to the phenomenon of laughter. The two parts echo one another, contributing both to an understanding of comedy and to the ongoing philosophical question of identity. |
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... The Second Part of King Henry IV . Edited by A. R. Humphreys . London : Methuen , 1966 . Shakespeare , William . The Merchant of Venice . 7th ed . Edited by John Russell Brown . London : Methuen , 1961 . Shakespeare , William . The ...
... The Second Part of King Henry IV . Edited by A. R. Humphreys . London : Methuen , 1966 . Shakespeare , William . The Merchant of Venice . 7th ed . Edited by John Russell Brown . London : Methuen , 1961 . Shakespeare , William . The ...
Spis treści
Defining the Subject | 3 |
Self as Structure | 55 |
Self as Individual | 77 |
Prawa autorskie | |
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actor ambivalence Amphitryon Ancient Greek comedy Aristophanic awareness behaviour bodily body boundaries brain Candomblé causal celebration chapter cognitive comedy comedy's comic commedia dell'arte concept consciousness context contradiction dead death Devil diabolical Dionysus disorder embodied entity Essex girls example existence experience Faber fact Falstaff fear festive fictive folly fool function grotesque Guildenstern happy ending Harmondsworth human humour Ibid individual interaction jokes laughing laughter law of identity London madness Martin Amis matter means medieval memory metaphor mind Molière moral narrator negation negative non-self normally Northrop Frye nose object Oeuvres complètes one's organism ourselves Oxford P. F. Strawson Parfit parody Penguin performance pharmakos philosophical physical play possibility potential presupposes question Rabelais Rachel Papers rational recognition reflection ritual role Rosencrantz Samuel Beckett satire scapegoat self-difference sense sexual simply Slaughterhouse-Five social Socrates sort spectator structure temporal theatrical traditional transgression Trickster unity University Press words