Popular Music and Human Rights: British and American Music

Przednia okładka
Ian Peddie
Ashgate Publishing, Ltd., 1 lis 2012 - 206
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide.
 

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utopic narratives Canzoni dautore
7
intense emotions and Human rights in nepals Heavy Metal
27
Middle Eastern Metal
53
The Neofolklore Movement
73
the end of the 1950s Photographer unknown from the personal
75
Yugoslav and PostYugoslav encounters with Popular Music
91
the artist and His legacy
105
celtic Music dissent and
119
art Production co ltd
135
AntiRock Campaigns Problems
147
Bibliography
161
Discography
179
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Informacje o autorze (2012)

Ian Peddie has taught at Florida Gulf Coast University, the University of Sydney, and West Texas A&M University. His books include The Resisting Muse: Popular Music and Social Protest (Ashgate, 2006) and a study of class in American literature. He has published widely on twentieth-century British and American culture. He is currently editing a collection on music and protest since 1900.

Informacje bibliograficzne