Popular Music and Human Rights: British and American MusicIan Peddie Ashgate Publishing, Ltd., 1 lis 2012 - 206 Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. |
Spis treści
utopic narratives Canzoni dautore | 7 |
intense emotions and Human rights in nepals Heavy Metal | 27 |
Middle Eastern Metal | 53 |
The Neofolklore Movement | 73 |
the end of the 1950s Photographer unknown from the personal | 75 |
Yugoslav and PostYugoslav encounters with Popular Music | 91 |
the artist and His legacy | 105 |
celtic Music dissent and | 119 |
art Production co ltd | 135 |
AntiRock Campaigns Problems | 147 |
Bibliography | 161 |
Discography | 179 |
Inne wydania - Wyświetl wszystko
Popular Music and Human Rights: Volume I: British and American Music Professor Ian Peddie Ograniczony podgląd - 2013 |
Kluczowe wyrazy i wyrażenia
ac/dc activists activities adorno album angelita Huenumán Ann Lovett anti-soviet artists audience australia became Beijing Bosnia and Herzegovina campaign celebrations celtic Chilean China Chinese rock communist concert country’s Croatia cui Jian cultural dance despedimiento disco discotheque discourse Dniepropetrovsk dominant expression fans fascist festival folklore ensembles folklorists freedom genre global groups heavy metal human rights identity ideological indigenous instruments irish Janjatović Jara of chile Jara’s KGB officers kokle Komsomol Latvian listening Long March major Maoists melody metal scenes metalheads Middle Mixolydian modern Moore’s Muslim world nationalist neo-folklore movement nepali official organized Party people’s performance Personal interview played Plegaria police political pop music popular music protest punk radio records region revolution revolutionary rock music Serbian singer singing slovenia social society song soviet stanza struggle style symbols traditional music turbo-folk Ukrainian Víctor Jara voice Western yaogun Yirrkala Yolŋu Yothu Yindi young youth Yugoslav Zhongnanhai