Critical EssaysThoemmes Press, 1998 - 327 |
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Strona 48
... figures strike at once ; Amplifi- MAN cation , by a paraphrase of thought . Description is the foul of amplification . The object is ... figure by by LONGINUS feems not altogether fixed : the latter part 48 SECTION IX . SECTION X. ...
... figures strike at once ; Amplifi- MAN cation , by a paraphrase of thought . Description is the foul of amplification . The object is ... figure by by LONGINUS feems not altogether fixed : the latter part 48 SECTION IX . SECTION X. ...
Strona 97
... of " Chrift is God . " We enter now upon Change of Numbers where a fingular fubftantive has a pluralverb . There seems to be an instance of this figure in Pfalm ii . H « Why " Why do the people imagine a vain " thing SECTION XX . 97.
... of " Chrift is God . " We enter now upon Change of Numbers where a fingular fubftantive has a pluralverb . There seems to be an instance of this figure in Pfalm ii . H « Why " Why do the people imagine a vain " thing SECTION XX . 97.
Strona 101
... figure ( in his Cato ) where DECIUS takes his leave of the Utican , who had refused the conditions of peace fent by CÆSAR , and departs , faying , " All Rome " will be in tears . " Inftances of the use of this figure are to be found in ...
... figure ( in his Cato ) where DECIUS takes his leave of the Utican , who had refused the conditions of peace fent by CÆSAR , and departs , faying , " All Rome " will be in tears . " Inftances of the use of this figure are to be found in ...
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admirable ÆNEAS Æneid ÆSCHYLUS affect againſt almoſt ANCHISES ancient ANTILOCHUS beauties becauſe beft beſt cenfure character characteriſtic cife compariſon compofition confideration conftitution conftruction critic defcribed DEMOSTHENES deſcription DIDO difpofition diſplay elegant ENEAS Engliſh epiſode eſtabliſhment eſteemed EURYTION excellent exertions expreffed expreffion facrifice fame fays fecond feems fent fentiment feveral fhall fhould fimilar firft firſt folemn fome former foul fpeech fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian Greek hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter lefs leſs LONGINUS Lufus maſter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferved occafion OVID paffage paffion perfons poet poetical poetry prefent racter reader reaſon reflection reprefented repreſentation Roman Section ſeems ſeveral ſpeaking ſuch thefe themſelves theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſed verfe verſes VIRGIL whofe whoſe words writer καὶ