Critical EssaysThoemmes Press, 1998 - 327 |
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Strona iii
... appear strange , that this mafterly writer fhould have flumbered in mouldy libraries for fo confiderable an interval : but It may therefore be worthy of a remark , that in a compofition devoted to criticism the mention of writers , who ...
... appear strange , that this mafterly writer fhould have flumbered in mouldy libraries for fo confiderable an interval : but It may therefore be worthy of a remark , that in a compofition devoted to criticism the mention of writers , who ...
Strona 16
... Appear always more modest " in your Looks than even the most modeft " Virgins . ' The eyes are selected from the whole countenance , as more immediate " " cha- characteristics of the difpofition . I once imagined the paffage 16 SECTION IV .
... Appear always more modest " in your Looks than even the most modeft " Virgins . ' The eyes are selected from the whole countenance , as more immediate " " cha- characteristics of the difpofition . I once imagined the paffage 16 SECTION IV .
Strona 290
... appear pofitively ta promife . The fecond obfervation ( which I think has been before called an objection ) is , that we are not guided by any particular of ENEAS's fpeech to the deification , which had he really purpcfed as the ...
... appear pofitively ta promife . The fecond obfervation ( which I think has been before called an objection ) is , that we are not guided by any particular of ENEAS's fpeech to the deification , which had he really purpcfed as the ...
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admirable ÆNEAS Æneid ÆSCHYLUS affect againſt almoſt ANCHISES ancient ANTILOCHUS beauties becauſe beft beſt cenfure character characteriſtic cife compariſon compofition confideration conftitution conftruction critic defcribed DEMOSTHENES deſcription DIDO difpofition diſplay elegant ENEAS Engliſh epiſode eſtabliſhment eſteemed EURYTION excellent exertions expreffed expreffion facrifice fame fays fecond feems fent fentiment feveral fhall fhould fimilar firft firſt folemn fome former foul fpeech fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian Greek hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter lefs leſs LONGINUS Lufus maſter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferved occafion OVID paffage paffion perfons poet poetical poetry prefent racter reader reaſon reflection reprefented repreſentation Roman Section ſeems ſeveral ſpeaking ſuch thefe themſelves theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſed verfe verſes VIRGIL whofe whoſe words writer καὶ