Critical EssaysThoemmes Press, 1998 - 327 |
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... Plato ( 1731 ) George Stubbes A Dialogue in the Manner of Plato , on the Superiority of the Pleasures of the Understanding to the Pleasures of the Senses ( 1734 ) George Stubbes Crito : or , A Dialogue on Beauty ( 1761 ) Joseph Spence ...
... Plato ( 1731 ) George Stubbes A Dialogue in the Manner of Plato , on the Superiority of the Pleasures of the Understanding to the Pleasures of the Senses ( 1734 ) George Stubbes Crito : or , A Dialogue on Beauty ( 1761 ) Joseph Spence ...
Strona 55
... PLATO we are ravished with the pure fow of a filver stream . The current of DEMOS- THENES is majestically violent . The Roman ,; though more ferene , wants not rapidity . In one particular , PLATO cannot properly be compared to the ...
... PLATO we are ravished with the pure fow of a filver stream . The current of DEMOS- THENES is majestically violent . The Roman ,; though more ferene , wants not rapidity . In one particular , PLATO cannot properly be compared to the ...
Strona 57
... PLATO drew many admirable reflections : a spirit , which thofe only fhould allow themselves to defpife , who have emulated the fame of PLATO . If fuch imitations only had been indulged , we should have little reafon to second the ...
... PLATO drew many admirable reflections : a spirit , which thofe only fhould allow themselves to defpife , who have emulated the fame of PLATO . If fuch imitations only had been indulged , we should have little reafon to second the ...
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admirable ÆNEAS Æneid ÆSCHYLUS affect againſt almoſt ANCHISES ancient ANTILOCHUS beauties becauſe beft beſt cenfure character characteriſtic cife compariſon compofition confideration conftitution conftruction critic defcribed DEMOSTHENES deſcription DIDO difpofition diſplay elegant ENEAS Engliſh epiſode eſtabliſhment eſteemed EURYTION excellent exertions expreffed expreffion facrifice fame fays fecond feems fent fentiment feveral fhall fhould fimilar firft firſt folemn fome former foul fpeech fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian Greek hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter lefs leſs LONGINUS Lufus maſter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferved occafion OVID paffage paffion perfons poet poetical poetry prefent racter reader reaſon reflection reprefented repreſentation Roman Section ſeems ſeveral ſpeaking ſuch thefe themſelves theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſed verfe verſes VIRGIL whofe whoſe words writer καὶ