Critical EssaysThoemmes Press, 1998 - 327 |
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Strona 54
... having exposed false defini- tions of amplification , made by feve- ral predeceffors , proceeds to his own fenti- ments thereon , and enters upon a comparison between between PLATO and DEMOSTHENES , and from thence , between 54 SECTION X.
... having exposed false defini- tions of amplification , made by feve- ral predeceffors , proceeds to his own fenti- ments thereon , and enters upon a comparison between between PLATO and DEMOSTHENES , and from thence , between 54 SECTION X.
Strona 55
Edward Burnaby Greene. between PLATO and DEMOSTHENES , and from thence , between DEMOSTHENES and the Roman orator . It is evident , that he aims to prove the different effects of amplification and conciseness on different writers ...
Edward Burnaby Greene. between PLATO and DEMOSTHENES , and from thence , between DEMOSTHENES and the Roman orator . It is evident , that he aims to prove the different effects of amplification and conciseness on different writers ...
Strona 60
... DEMOSTHENES , & c . As felf - par- tiality is the ruling disease of the human mind , we ought to be as fevere critics of our own , as of other compofitions ; weigh every sentence , examine every thought , with the fincerity of juft ...
... DEMOSTHENES , & c . As felf - par- tiality is the ruling disease of the human mind , we ought to be as fevere critics of our own , as of other compofitions ; weigh every sentence , examine every thought , with the fincerity of juft ...
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admirable ÆNEAS Æneid ÆSCHYLUS affect againſt almoſt ANCHISES ancient ANTILOCHUS beauties becauſe beft beſt cenfure character characteriſtic cife compariſon compofition confideration conftitution conftruction critic defcribed DEMOSTHENES deſcription DIDO difpofition diſplay elegant ENEAS Engliſh epiſode eſtabliſhment eſteemed EURYTION excellent exertions expreffed expreffion facrifice fame fays fecond feems fent fentiment feveral fhall fhould fimilar firft firſt folemn fome former foul fpeech fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian Greek hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter lefs leſs LONGINUS Lufus maſter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferved occafion OVID paffage paffion perfons poet poetical poetry prefent racter reader reaſon reflection reprefented repreſentation Roman Section ſeems ſeveral ſpeaking ſuch thefe themſelves theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſed verfe verſes VIRGIL whofe whoſe words writer καὶ