Critical EssaysThoemmes Press, 1998 - 327 |
Z wnętrza książki
Wyniki 1 - 3 z 10
Strona 88
... CÆSAR , in the play of SHAKESPEARE formed on the wild barbarism of his murder . The speech is a master - piece of judgement and poetic artifice , drawn from the fource of eloquence . " Friends , Romans , countrymen , lend me 68 your ...
... CÆSAR , in the play of SHAKESPEARE formed on the wild barbarism of his murder . The speech is a master - piece of judgement and poetic artifice , drawn from the fource of eloquence . " Friends , Romans , countrymen , lend me 68 your ...
Strona 89
... CESAR feem ambitious ? " When that the poor have cry'd , CÆSAR hath 66 wept : " Ambition fhould be made of fterner stuff ; " Yet BRUTUS fays , he was ambitious ; " And BRUTUS is an honorable man . " You all did fee , that on the ...
... CESAR feem ambitious ? " When that the poor have cry'd , CÆSAR hath 66 wept : " Ambition fhould be made of fterner stuff ; " Yet BRUTUS fays , he was ambitious ; " And BRUTUS is an honorable man . " You all did fee , that on the ...
Strona 123
... CAESAR . BRUTUS.Cor- roborates his innate averfion to kings , im- proved from the patriotic violence of a prede- ceffor kinfman , by the enfuing enlargement on CÆSAR's principles . " He would be crown'd . " How that would change his ...
... CAESAR . BRUTUS.Cor- roborates his innate averfion to kings , im- proved from the patriotic violence of a prede- ceffor kinfman , by the enfuing enlargement on CÆSAR's principles . " He would be crown'd . " How that would change his ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
admirable ÆNEAS Æneid ÆSCHYLUS affect againſt almoſt ANCHISES ancient ANTILOCHUS beauties becauſe beft beſt cenfure character characteriſtic cife compariſon compofition confideration conftitution conftruction critic defcribed DEMOSTHENES deſcription DIDO difpofition diſplay elegant ENEAS Engliſh epiſode eſtabliſhment eſteemed EURYTION excellent exertions expreffed expreffion facrifice fame fays fecond feems fent fentiment feveral fhall fhould fimilar firft firſt folemn fome former foul fpeech fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian Greek hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter lefs leſs LONGINUS Lufus maſter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferved occafion OVID paffage paffion perfons poet poetical poetry prefent racter reader reaſon reflection reprefented repreſentation Roman Section ſeems ſeveral ſpeaking ſuch thefe themſelves theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſed verfe verſes VIRGIL whofe whoſe words writer καὶ