Popular Music and Human Rights: World musicIan Peddie Ashgate Publishing, Ltd., 2011 - 406 Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression that reaches far and wide. |
Spis treści
Utopic Narratives Canzoni dautore | 7 |
Intense Emotions and Human Rights in Nepals Heavy Metal | 27 |
Middle Eastern Metal | 53 |
The Neofolklore Movement | 73 |
Yugoslav and PostYugoslav Encounters with Popular Music | 91 |
The Artist and His Legacy | 105 |
Celtic Music Dissent and | 119 |
AntiRock Campaigns Problems | 147 |
Bibliography | 161 |
Discography | 179 |
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
Aboriginal AC/DC accessed September Adorno Africa album apartheid artists audience Australia bands became Beijing borderlands Bosnia and Herzegovina Carsick Cars celebrations Chile Chilean China Chinese rock Communist concert context critique Croatia Cui Jian cultural dance discourse Dniepropetrovsk dominant expression fans fascist festival folk music folkish folklore ensembles folklorists freedom genre global groups heavy metal human rights identity ideological ideologists Indigenous instruments Irish Janjatović Jara's kokle Komsomol Land Latvian LeVine listening Long March Maoists metal scenes metalheads Middle modern musicians Muslim world neo-folklore movement Nepali official performance Personal interview played Plegaria police political popular music protest punk Radio Records region Revolution revolutionary rock music Schechter Serbian singer singing social society song Soviet stanza struggle style subcultures symbols traditional music turbo-folk Ukrainian University Press urban Víctor Jara violence voice Western yaogun Yirrkala Yolŋu Yothu Yindi young youth Yugoslavia Zhongnanhai Zhuk