Second Part of King Henry IVUniversity Press, 1915 - 192 |
Z wnętrza książki
Wyniki 1 - 5 z 19
Strona xvi
... drawing of Prince Hal and Falstaff of making use of a sudden " conversion " is wilfully to ignore the most carefully forged link in the plot . At the very earliest opportunity in the First Part Prince Hal , in soliloquy , discloses his ...
... drawing of Prince Hal and Falstaff of making use of a sudden " conversion " is wilfully to ignore the most carefully forged link in the plot . At the very earliest opportunity in the First Part Prince Hal , in soliloquy , discloses his ...
Strona 29
... draw the model ; And when we see the figure of the house , Then must we rate the cost of the erection ; Which if we find outweighs ability , What do we then but draw anew the model In fewer offices , or at last desist To build at all ...
... draw the model ; And when we see the figure of the house , Then must we rate the cost of the erection ; Which if we find outweighs ability , What do we then but draw anew the model In fewer offices , or at last desist To build at all ...
Strona 30
... draws the model of a house Beyond his power to build it ; who , half through , Gives o'er and leaves his part - created cost A naked subject to the weeping clouds , And waste for churlish winter's tyranny . 60 Hast . Grant that our ...
... draws the model of a house Beyond his power to build it ; who , half through , Gives o'er and leaves his part - created cost A naked subject to the weeping clouds , And waste for churlish winter's tyranny . 60 Hast . Grant that our ...
Strona 31
... draw his several strengths together And come against us in full puissance , Need not be dreaded . Hast . If he should do so , He leaves his back unarm'd , the French and Welsh Baying him at the heels : never fear that . 80 L. Bard . Who ...
... draw his several strengths together And come against us in full puissance , Need not be dreaded . Hast . If he should do so , He leaves his back unarm'd , the French and Welsh Baying him at the heels : never fear that . 80 L. Bard . Who ...
Strona 32
... ; things present worst . Mowb . Shall we go draw our numbers and set on ? Hast . We are time's subjects , and time bids [ Exeunt . 110 be gone . ACT II SCENE I London . A Street Enter Hostess 32 [ Act i 2 King Henry IV.
... ; things present worst . Mowb . Shall we go draw our numbers and set on ? Hast . We are time's subjects , and time bids [ Exeunt . 110 be gone . ACT II SCENE I London . A Street Enter Hostess 32 [ Act i 2 King Henry IV.
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
Amurath Arch Archbishop backsword Bard bear beseech blood brother Bullcalf captain Clar Colevile comes cousin crown Dagonet Davy dead death Doll dost doth Earl Exeunt Exit faith Fang father fear fellow friends give Glou grace grief hand Harry Hast hath hear heart heaven hither honest honour Host hostess Hotspur humours John of Lancaster King Henry king's knave look Lord Bardolph Lord Chief Justice Lord Hastings lordship majesty marry Master Shallow Master Silence merry Mistress Mouldy Mowb Mowbray naked weapons never night noble Northumberland peace Pist Pistol Poins pray pricked Prince Hal Prince John rascal Re-enter Richard II rogue SCENE Shakespeare Shal Shrewsbury sick Sir John Falstaff speak spirit Steevens swaggerers sweet sword Tearsheet tell thee there's thing thou art tongue troth unto Warkworth Castle Wart Warwick West Westmoreland wilt word youth