Performing Race and Torture on the Early Modern StageRoutledge, 2008 - 174 Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances. |
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... violence against African slaves does not socially construct them into controlled and controllable beings : mark- ing slaves does not remake them . Until the aristocracy sees Oroonoko's torture , however , this belief was not fully ...
... violence and torture , but he adds an interesting twist . All of the figures represented in the heroic tragedy become foreign , exotic , and racialized . Only the author and , as I will argue , the audience become the heroic , and , of ...
... violence against them but also to forget that it ever occurred . If violence is done against those who are unreal , then , from the per- spective of violence , it fails to injure or negate those lives since those lives are already ...
Spis treści
Religion Color and the White | 25 |
Abjection and Racial Characterization | 51 |
The Indian Emperour or The Conquest | 75 |
Prawa autorskie | |
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