Performing Race and Torture on the Early Modern StageRoutledge, 2008 - 174 Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances. |
Z wnętrza książki
Wyniki 1 - 3 z 11
... linguistic difference : he threatens a linguistic miscegenation as much as a racial one . In fact , all of the " out of control " speeches offered by the Roman characters take place after Aaron has introduced the excesses of figurative ...
... linguistic dexterity . Through this early speech by Aaron , Ravenscroft seeks to reinstate the certainty of a type of linguistic essentialism . Ravenscroft's Titus Andronicus cuts Aaron's powerful tongue from his mouth , and , of course ...
... linguistic miscegenation inevitably served to separate and shatter in Shakespeare's original . But , of course , torture does not only exist in a linguistic framework . The onstage torture of Aaron reinforces the connections between ...
Spis treści
Religion Color and the White | 25 |
Abjection and Racial Characterization | 51 |
The Indian Emperour or The Conquest | 75 |
Prawa autorskie | |
Nie pokazano 4 innych sekcji