Performing Race and Torture on the Early Modern StageRoutledge, 2008 - 174 Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances. |
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... included in Elkanah Settle's 1673 edition of The Empress of Morocco , depicting a Moorish dance . By permission of the Folger Shakespeare Library . 2.5 A " Sculpture " by William Dolle included in Elkanah Settle's 1673 edition of The ...
... included in The Indian Emperour to see against what Dryden attempts to frame the English audience - the proximity of barbarism in conquest . This construction , of course , keeps both essentialist and social constructivist discourses of ...
... included in my work are as old as the plays themselves — engravings , broadsides , frontispieces , etc. The plays exist as distant historical documents instead of un - dead , revivable , zombie - like performance pieces that constantly ...
Spis treści
Religion Color and the White | 25 |
Abjection and Racial Characterization | 51 |
The Indian Emperour or The Conquest | 75 |
Prawa autorskie | |
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