Performing Race and Torture on the Early Modern StageRoutledge, 2008 - 174 Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances. |
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... identity through the application of torture . In the end , I discuss specific strategies for appropriating ... identity is consistently contradictory in nature . Perhaps the very ideas of race and racial identity have been ( and will ...
... identity , the play ends with Oroonoko's race and identity as wholly separate from those of his white , English counterparts . Southerne creates Oroonoko as a figure who is able to keep his identity and interiority inaccessible ...
... identity . Despite the fact that Dryden wants to present the Dutch as being essentially different from the English , he creates a performance piece that emphasizes the economic factors that end up affecting identity . Torture , and more ...
Spis treści
Religion Color and the White | 25 |
Abjection and Racial Characterization | 51 |
The Indian Emperour or The Conquest | 75 |
Prawa autorskie | |
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