Performing Race and Torture on the Early Modern StageRoutledge, 2008 - 174 Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances. |
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... challenge the assumed divide between pre- and post - Enlightenment racial theories . It is my hope that Performing Race and Torture on the Early Modern Stage will high- light how performances of torture and race have functioned , and ...
... challenge a simplistic interpretation of casting's relation to perfor- mances of race . Instead , I want to argue that an attention to performance strategies may enhance one's understanding of the construction of race , and once again ...
... challenge my supposition that the iconic images are those that construct abjection without agency , then why are we ... challenges the interpretation of England's lack of agency . Ambuhl , looking Figure 6.6 Abu Ghraib Prison photo taken ...
Spis treści
Religion Color and the White | 25 |
Abjection and Racial Characterization | 51 |
The Indian Emperour or The Conquest | 75 |
Prawa autorskie | |
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