English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 |
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Strona 17
... reason of his , as all his , is most full of reason . For , indeed , if the question were whether it were better to have a particular act truly or falsely set down , there is no doubt which is to be chosen , no more than whether you had ...
... reason of his , as all his , is most full of reason . For , indeed , if the question were whether it were better to have a particular act truly or falsely set down , there is no doubt which is to be chosen , no more than whether you had ...
Strona 225
... reason and imagination , the former may be considered as mind contemplating the relations borne by one thought to ... Reason is the enumeration of quantities already known ; imagination is the 15 perception of the value of those ...
... reason and imagination , the former may be considered as mind contemplating the relations borne by one thought to ... Reason is the enumeration of quantities already known ; imagination is the 15 perception of the value of those ...
Strona 278
... reason , of our excellent and indispensable eighteenth century . For the purposes of their mission and destiny their poetry , like their prose , is admirable . Do you ask me whether Dryden's verse , take it almost where you will , is ...
... reason , of our excellent and indispensable eighteenth century . For the purposes of their mission and destiny their poetry , like their prose , is admirable . Do you ask me whether Dryden's verse , take it almost where you will , is ...
Spis treści
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Prawa autorskie | |
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Inne wydania - Wyświetl wszystko
English Critical Texts: 16th Century to 20th Century Dennis Joseph Enright,Ernst De Chickera Widok fragmentu - 1962 |
Kluczowe wyrazy i wyrażenia
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write