Corneille and Racine: Problems of Tragic FormCUP Archive, 18 paź 1973 - 327 Corneille and Racine may seem like marble monuments of an unchanging typical classicism. Mr Pocock is concerned to show that each of these great dramatists was a living writer, struggling to create developing forms and that the rules of neo-classical decorum were a strait-jacket to them. We can see in their writings a hesitation between poetic drama which creates its own forms from within and naturalistic drama which opts for truth to common life and a medium. In an interesting and comprehensive examination of the two authors, Mr Pocock shows the range of Coneille's achievement, and explains that a good seal which had been dismissed as decadence or incompetence was the result of his casting about for new forms. A section on Racine shows him opting for a deepening mode of drama which rejects naturalism and is implicitly subversive of neo-classical rules. |
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Spis treści
INTRODUCTION | 1 |
CORNEILLE AND THE CRITICS | 15 |
LE CID | 28 |
CINNA | 40 |
S POLYEUCTE | 64 |
CORNEILLES VERSE | 78 |
RODOGUNE | 99 |
SERTORIUS | 118 |
RACINE THE BEGINNINGS | 166 |
APPROACHES TO TRAGEDY | 178 |
BÉRÉNICE | 197 |
IS THE DRAMATIC ART OF RACINE | 216 |
PHÈDRE | 237 |
ATHALIE | 279 |
CONCLUSION | 302 |
Notes | 310 |
SURÉNA | 141 |
IO CORNEILLE SOME CONCLUSIONS | 155 |
RACINE CAREER AND BACKGROUND | 159 |
Select Bibliography | 319 |
323 | |
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