Medieval and Renaissance Drama in England, Tom 19S. P. Cerasano, Heather Anne Hirschfeld Fairleigh Dickinson Univ Press, 2006 - 348 Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University. |
Spis treści
| 21 | |
A Study in Attribution | 45 |
The Bell Savage Inn and Playhouse in London | 121 |
Class Categorization Capitalism and the Problem of Gentle Identity in The Roy all King and the Loyall Subject and Eastward Ho | 144 |
Merchants of Venice in A Knack to Know an Honest Man | 194 |
The Victim of Fashion? Rereading the Biography of John Lyly | 210 |
The Extremities of Sumptuary Law in Robert Greenes Friar Bacon and Friar Bungay | 227 |
Coding Illicit Sexuality in Early Modern London | 235 |
Mary FloydWilson English Ethnicity and Race in Early Modern | 286 |
English Visitors to the Ottoman Empire | 295 |
A History of Texts and Visions | 301 |
Dermot Cavanagh Language and Politics in the SixteenthCentury History Play | 304 |
Transversal Performance and Cultural Dissidence in Early Modern Europe | 310 |
Madness and Gender in Shakespeare and Early Modern Culture | 317 |
Equivocation Infidelity and Resistance in Early Modern England | 322 |
Real and Imagined Worlds | 328 |
John Marstons Entertainment at Ashby and the 1606 Fleet Conduit Eclogue | 249 |
Shakespeare CryptoCatholicism Cryptocriticism | 259 |
John Naughton ed Shakespeare and the French Poet | 273 |
Constructions of Britain | 279 |
Andrew Hadfield Shakespeare Spenser and the Matter of Britain | 282 |
Marta Straznicky Privacy Playreading and Early Modern Womens Closet Drama | 334 |
Theater Gender and Religion in late Medieval England | 336 |
| 342 | |
Inne wydania - Wyświetl wszystko
Medieval and Renaissance Drama in England, Tom 36 S. P. Cerasano,Edward Gieskes,Heather Anne Hirschfeld Podgląd niedostępny - 2023 |
Kluczowe wyrazy i wyrażenia
appear argues argument become Bell Savage called Cambridge Catholic century chapter character CHARS claims close common considered context course court critical cultural death discussion drama early modern edition Elizabethan England English essay evidence examines example fact forms four gentry hand indicates instance interest John kind King Know late later least less letter lines literary living London madness Mary matter means merchant nature noble notes offers once Oxford parallels performance period phrase play playhouses political position possible present prose provides published question rape readers reading references Richard seems Shakespeare Shirley shows social speech Speedy Post stage stockings suggests texts theater Thomas tion twice University Press Webster women writing yellow