Critical Essays, 1770Scolar Press, 1973 - 328 |
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Strona 6
... sublimity comes from mere unas- fifted nature ; and , to confirm his affertion , exhibits paffages from old tragic poets , who fall into bombaft , where they affect fublimity . Sufficient proof of the many defects , that may arise from ...
... sublimity comes from mere unas- fifted nature ; and , to confirm his affertion , exhibits paffages from old tragic poets , who fall into bombaft , where they affect fublimity . Sufficient proof of the many defects , that may arise from ...
Strona 8
... μόλεωρα . A facrifice of Sublimity to Supertragical Rant marks the genius of the French ; it proceeds from natural and national foible . Mr. SMITH's tranflation . Their WALLER , I think , borders on incohe- rence in 10 SECTION III .
... μόλεωρα . A facrifice of Sublimity to Supertragical Rant marks the genius of the French ; it proceeds from natural and national foible . Mr. SMITH's tranflation . Their WALLER , I think , borders on incohe- rence in 10 SECTION III .
Strona 10
... Sublimity to Supertragical Rant marks the genius of the French ; it proceeds from natural and national foible . Mr. SMITH's translation . Their Their fentiments , like their fauces , are over- seasoned 10 SECTION III .
... Sublimity to Supertragical Rant marks the genius of the French ; it proceeds from natural and national foible . Mr. SMITH's translation . Their Their fentiments , like their fauces , are over- seasoned 10 SECTION III .
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admirable ÆNEAS Æneid affect againſt almoſt ANCHISES ancient ANTILOCHUS becauſe beſt cenfure character cife compariſon compofition confideration confiftently conftruction conftrued courſe critic criticiſm DEMOSTHENES deſcribed deſcription DIDO difpofition elegant Engliſh epic epiſode eſtabliſhed eſteem EURYTION excellent exerciſed exertions expreffed expreffion facrifice faid fame fays fecond feems fenfe fentiment feveral fhall firft firſt folemn fome former foul fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter leaſt lefs leſs LONGINUS Lufus mafter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferve occafion OVID paffage paffion perfon poet poetical poetry preſent racter reaſon reflection repreſentation repreſented Roman Section ſeems ſeveral ſhall ſhould ſpeak ſpeech ſuch thefe themſelves THEOCRITUS theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſe uſually verfe verſes VIRGIL whofe whoſe words writer καὶ