Critical Essays, 1770Scolar Press, 1973 - 328 |
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Strona 159
... finical absurdity . SECTION XLII . ONCISENESS of ftyle conveys an inhe- rent elegance ; contraction is meannefs . The former permits fome indulgence ; the latter , latter , none : but , unless artfully conducted , SECTION XLII . 159.
... finical absurdity . SECTION XLII . ONCISENESS of ftyle conveys an inhe- rent elegance ; contraction is meannefs . The former permits fome indulgence ; the latter , latter , none : but , unless artfully conducted , SECTION XLII . 159.
Strona 189
... latter shakes his head at the profligacy of the helm , and gives up the constitution for loft . The clergy have their fhare in the confufion , too forward to thunder , with po- litical enthusiasm , from the pulpits they never warmed ...
... latter shakes his head at the profligacy of the helm , and gives up the constitution for loft . The clergy have their fhare in the confufion , too forward to thunder , with po- litical enthusiasm , from the pulpits they never warmed ...
Strona 264
... is more confiftent than the Greek ; ANTILOCHUS had immediately to guide his horfes during his long harangue . The latter three lines was third , trips up the heels of SALIUS , have 264 ΟΝ ESSAY the third in VIRGIL. In the latter, Nisus ...
... is more confiftent than the Greek ; ANTILOCHUS had immediately to guide his horfes during his long harangue . The latter three lines was third , trips up the heels of SALIUS , have 264 ΟΝ ESSAY the third in VIRGIL. In the latter, Nisus ...
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admirable ÆNEAS Æneid affect againſt almoſt ANCHISES ancient ANTILOCHUS becauſe beſt cenfure character cife compariſon compofition confideration confiftently conftruction conftrued courſe critic criticiſm DEMOSTHENES deſcribed deſcription DIDO difpofition elegant Engliſh epic epiſode eſtabliſhed eſteem EURYTION excellent exerciſed exertions expreffed expreffion facrifice faid fame fays fecond feems fenfe fentiment feveral fhall firft firſt folemn fome former foul fpirit fubject fublimity fuch fuffer fufficient fuperior genius Grecian hero HERODOTUS himſelf hiſtory HOMER honor Hyperbaton Iliad indulged inftance inſpired itſelf JOSEPH WARTON judgement laft laſt latter leaſt lefs leſs LONGINUS Lufus mafter ment merits MNESTHEUS moft moſt muft muſt nature NISUS numbers obferve occafion OVID paffage paffion perfon poet poetical poetry preſent racter reaſon reflection repreſentation repreſented Roman Section ſeems ſeveral ſhall ſhould ſpeak ſpeech ſuch thefe themſelves THEOCRITUS theſe thofe thoſe thought tion tranflation Trojan ufually unleſs uſe uſually verfe verſes VIRGIL whofe whoſe words writer καὶ