The Seven Lamps of ArchitectureC. E. Merrill & Company, 1890 - 401 |
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Strona xiii
... manner . vignette frontispiece is also an excellent piece of work by Mr. Armytage , to whose skill the best illustrations of " Modern Painters " owe not only their extreme delicacy but their per- Some of his plates , which I am about to ...
... manner . vignette frontispiece is also an excellent piece of work by Mr. Armytage , to whose skill the best illustrations of " Modern Painters " owe not only their extreme delicacy but their per- Some of his plates , which I am about to ...
Strona 8
... manner of it , which we sometimes express by saying it is truly done ( as a line or tone is true ) , so also it is capable of dignity still higher in the motive of it . For there is no action so slight , nor so mean , but it may be done ...
... manner of it , which we sometimes express by saying it is truly done ( as a line or tone is true ) , so also it is capable of dignity still higher in the motive of it . For there is no action so slight , nor so mean , but it may be done ...
Strona 9
John Ruskin. Therefore , in the pressing or recommending of any act or manner of acting , we have choice of two separate lines of argument : one based on representation of the expediency or inherent value of the work , which is often ...
John Ruskin. Therefore , in the pressing or recommending of any act or manner of acting , we have choice of two separate lines of argument : one based on representation of the expediency or inherent value of the work , which is often ...
Strona 17
... manner of selfish and impious ostenta- tion , provoked by the glassmakers , for a stimulus to trade , of putting up painted windows to be records of private affection , instead of universal religion , is one of the worst , because most ...
... manner of selfish and impious ostenta- tion , provoked by the glassmakers , for a stimulus to trade , of putting up painted windows to be records of private affection , instead of universal religion , is one of the worst , because most ...
Strona 22
... manner of performing any rite at any time , circumstances can be traced which we are either told or may legiti- mately conclude , pleased God at that time , those same circumstances will please Him at all times , in the performance of ...
... manner of performing any rite at any time , circumstances can be traced which we are either told or may legiti- mately conclude , pleased God at that time , those same circumstances will please Him at all times , in the performance of ...
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Kluczowe wyrazy i wyrażenia
abstract animal APHORISM arcade arches archi architect architecture arrangement bas-reliefs beauty become believe builders building campanile capital carve cathedral CATHEDRAL OF FERRARA cathedral of Pisa central character church colour columns cornice Correggio dark deception decoration delight depends Doge's palace endeavour expression feeling flamboyant Giotto Gothic Gothic architecture Goupil grace Greek ground height honour human imitation instance iron kind labour laws less light lines look lower Lucca marble masses material means ment mind modes mouldings natural necessary ness never niches noble observe ornament painter painting Palazzo Foscari pediment perfect perhaps picturesque pillar pinnacles Plate pleasure present principle proportion quatrefoil R.P. Cuff racter reader Romanesque Rouen Rouen Cathedral rude sacrifice sake sculpture seen sense shade shadow shafts spandrel stone style sublimity surface symmetry tecture things thought tion tower tracery true truth ture ugly Venice wall whole
Popularne fragmenty
Strona 139 - And the city lieth foursquare, and the length is as large as the breadth : and he measured the city with the reed, twelve thousand furlongs. The length and the breadth and the height of it are equal.
Strona 400 - Woods! that listen to the night-birds singing, Midway the smooth and perilous slope reclined, Save when your own imperious branches swinging, Have made a solemn music of the wind! Where, like a man beloved of God, Through glooms, which never woodman trod...
Strona 358 - We have no right whatever to touch them. They are not ours. They belong partly to those who built them, and partly to all the generations of mankind who are to follow us.
Strona 318 - For we are not sent into this world to do anything into which we cannot put our hearts. We have certain work to do for our bread, and that is to be done strenuously ; other work to do for our delight, and that is to be done heartily: neither is to be done by halves and shifts, but with a will : and what is not worth this effort is not to be done at all.
Strona 399 - YE clouds ! that far above me float and pause, Whose pathless march no mortal may control ! Ye ocean-waves ! that, wheresoe'er ye roll, Yield homage only to eternal laws ! Ye woods ! that listen to the night-birds...
Strona 216 - Hence then a general law, of singular importance in the present day, a law of simple common sense, — not to decorate things belonging to purposes of active and occupied life. Wherever you can rest, there decorate ; where rest is forbidden, so is beauty. You must not mix ornament with business, any more than you may mix play. Work first, and then rest. Work first and then gaze, but do not use golden ploughshares, nor bind ledgers in enamel. Do not thrash with sculptured flails : nor put bas-reliefs...
Strona 340 - ... it is in that golden stain of time that we are to look for the real light and colour and preciousness of architecture...
Strona 16 - ... being architectural ; neither can there be any architecture which is not based on building, nor any good architecture which is not based on good building ; but it is perfectly easy, and very necessary, to keep the ideas distinct, and to understand fully that Architecture concerns itself only with those characters of an edifice which are above and beyond its common use.
Strona 8 - A servant with this clause makes drudgery divine; who sweeps a room, as for thy laws, makes that and the action fine.
Strona 331 - I would have, then, our ordinary dwelling-houses built to last, 'and built to be lovely; as rich and full of pleasantness as may be, within and without...