English Verse: Specimens Illustrating Its Principles and History, Tom 10Raymond Macdonald Alden H. Holt, 1903 - 459 |
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Strona xii
... feet regularly combined ii . Individual feet altered III . THE STANZA Tercets Quatrains Refrain Stanzas Various Stanza - forms abccb ababb aabbb aabcdd aaaabb ababab ababcc ababbcc ( Rime royal ) ababcca ababccb abababab ababbaba ...
... feet regularly combined ii . Individual feet altered III . THE STANZA Tercets Quatrains Refrain Stanzas Various Stanza - forms abccb ababb aabbb aabcdd aaaabb ababab ababcc ababbcc ( Rime royal ) ababcca ababccb abababab ababbaba ...
Strona 24
... feet are of course borrowed from classical prosody , where they are used to mark feet made up not of accented and unaccented , but of long and short syllables . The dif- ferent significance of the terms as applied to the verse of ...
... feet are of course borrowed from classical prosody , where they are used to mark feet made up not of accented and unaccented , but of long and short syllables . The dif- ferent significance of the terms as applied to the verse of ...
Strona 25
... feet in the verse . The number of feet is always indicated by the number of stresses or principal accents in the normal verse . As the light or un- accented syllables may vary from the typical number , it may also be necessary to ...
... feet in the verse . The number of feet is always indicated by the number of stresses or principal accents in the normal verse . As the light or un- accented syllables may vary from the typical number , it may also be necessary to ...
Strona 32
... feet Before my life has found What some have found so sweet ; Then let come what come may , What matter if I go mad , I shall have had my day . ( TENNYSON : Song in Maud , xi . 1855. ) ( In combination with verse of four , five , 32 ...
... feet Before my life has found What some have found so sweet ; Then let come what come may , What matter if I go mad , I shall have had my day . ( TENNYSON : Song in Maud , xi . 1855. ) ( In combination with verse of four , five , 32 ...
Strona 42
... feet ; lines 2 and 3 , fifth foot ; line 5 , third foot . Five - stress dactylic . This form is almost unknown . In the following lines we find five - stress catalectic verse of dactyls and trochees combined : Surely the thought in a ...
... feet ; lines 2 and 3 , fifth foot ; line 5 , third foot . Five - stress dactylic . This form is almost unknown . In the following lines we find five - stress catalectic verse of dactyls and trochees combined : Surely the thought in a ...
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accent alexandrine alliteration anapestic Anglo-Saxon antistrophe ballade beauty blank verse called Catalectic century cesura Chaucer classical consonants dactylic death decasyllabic doth Dryden element Elizabethan English poetry English verse Essay eyes feet feminine ending five-stress foot four-stress French Gosse half-line hand harmony hath heart heaven heroic couplet hexameters iambic imitation influence irregular Italian Keats King language Latin light syllable lyrical measure melody metre metrical metrist Milton modern natural number of syllables o'er pause Pindaric poem poet poetic Pope Professor prose prosody quoted reader regular rhyme rhythm rhythmical rime rondeau run-on satires says Schipper seems sense septenary sestet SHAKSPERE sing song sonnet soul sound Spenser spondee stanza stress strophe sweet SWINBURNE syllables TENNYSON thee thing thou thought time-intervals trochaic trochee unrimed versification Villanelle voice vowel W. E. HENLEY Waller wind words þat