Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
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Strona 18
... sense of lacrimae rerum , that is , a profound moral sense ; for unless he has his own instinctive sense of joy and sorrow , of pity and terror , of right and wrong , of good and evil , he is capable neither of being moved nor of moving ...
... sense of lacrimae rerum , that is , a profound moral sense ; for unless he has his own instinctive sense of joy and sorrow , of pity and terror , of right and wrong , of good and evil , he is capable neither of being moved nor of moving ...
Strona 19
... sense of morality was not necessarily that of the superintendent of a Sunday - school . Nor does he intentionally set out to moralize , or to teach any lesson of conduct or system of behaviour . A sense of morality is the first ...
... sense of morality was not necessarily that of the superintendent of a Sunday - school . Nor does he intentionally set out to moralize , or to teach any lesson of conduct or system of behaviour . A sense of morality is the first ...
Strona 20
... sense of human pathos is not confined to Shakespeare . It pervades the tragedies of the great Greek masters , especially Sophocles and Euripides . In a lesser extent it is apparent in Marlowe's greatest tragedies , Tamburlane and Dr ...
... sense of human pathos is not confined to Shakespeare . It pervades the tragedies of the great Greek masters , especially Sophocles and Euripides . In a lesser extent it is apparent in Marlowe's greatest tragedies , Tamburlane and Dr ...
Strona 23
... sense of decorum and consistency which has been usual in classical and modern plays . Not only did the action move quickly from episode to episode , but the sense of time and place was equally fluid . Dr. Faustus covers twenty - four ...
... sense of decorum and consistency which has been usual in classical and modern plays . Not only did the action move quickly from episode to episode , but the sense of time and place was equally fluid . Dr. Faustus covers twenty - four ...
Strona 31
... sense of the theatre . He had , moreover , read his Seneca carefully , especially the grisly play of Thyestes , and he took over some of its devices and motives . Thyestes opens with the Ghost of Tantalus led back to his accursed home ...
... sense of the theatre . He had , moreover , read his Seneca carefully , especially the grisly play of Thyestes , and he took over some of its devices and motives . Thyestes opens with the Ghost of Tantalus led back to his accursed home ...
Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
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