Shakespeare's TragediesRoutledge, 11 paź 2013 - 280 First published in 1951. G B Harrison here recognizes that Shakespeare's tragedies were intended for performance in a theatre and that the playwright's conspicuous gift among his contemporaries was a sympathy for joy and sorrow, pity and terror, and right and wrong of his people. The plays covered are: Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Antony and Cleopatra, Coriolanus and Timon of Athens. |
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Strona 15
... never intended . Most playgoers still held to the definition given by the Monk in the Canterbury Tales : Tragedie is to seyn a certeyn storie , As olde bookes maken us memorie , Of hym that stood in greet prosperitee , And is y - fallen ...
... never intended . Most playgoers still held to the definition given by the Monk in the Canterbury Tales : Tragedie is to seyn a certeyn storie , As olde bookes maken us memorie , Of hym that stood in greet prosperitee , And is y - fallen ...
Strona 16
... never experienced it . Milton expressed the idea quite simply at the close of Samson Agonistes : All is best , though we oft doubt What the unsearchable dispose Of Highest Wisdom brings about , And ever best found in the close . Oft he ...
... never experienced it . Milton expressed the idea quite simply at the close of Samson Agonistes : All is best , though we oft doubt What the unsearchable dispose Of Highest Wisdom brings about , And ever best found in the close . Oft he ...
Strona 18
... never achieved purgation , though their dramas are full of that conflict which Bradley demanded as the essence of tragedy , because the conflict was the struggle of wits , not of principles : Tiberius foiling Sejanus , Vittoria flouting ...
... never achieved purgation , though their dramas are full of that conflict which Bradley demanded as the essence of tragedy , because the conflict was the struggle of wits , not of principles : Tiberius foiling Sejanus , Vittoria flouting ...
Strona 20
... never overstrained . A tragedy may contain all these but never be deep tragedy , because the event which it dramatizes is not in itself deeply tragic . A chief reason why there are so few deep tragedies is that in life and in art there ...
... never overstrained . A tragedy may contain all these but never be deep tragedy , because the event which it dramatizes is not in itself deeply tragic . A chief reason why there are so few deep tragedies is that in life and in art there ...
Strona 26
... never have written in this style , for obscurity in drama soon empties the theatre . What , then , are the principles which should guide the critic ? If we examine Shakespearean criticism for the last forty years we shall see certain ...
... never have written in this style , for obscurity in drama soon empties the theatre . What , then , are the principles which should guide the critic ? If we examine Shakespearean criticism for the last forty years we shall see certain ...
Spis treści
9 | |
30 | |
ROMEO AND JULIET | 47 |
JULIUS CAESAR | 65 |
HAMLET | 88 |
TROYLUS AND CRESSIDA III | 111 |
OTHELLO | 131 |
KING LEAR | 158 |
MACBETH | 184 |
ANTONY AND CLEOPATRA | 203 |
CORIOLANUS | 227 |
TIMON OF ATHENS | 253 |
EPILOGUE | 271 |
INDEX | 275 |
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